White Moon on The Mountain Peak

2CD collection featuring Deborah Harry, The Waterboys, Ian Dury, Hall & Oates, Steppenwolf & others. Nice collection of Rock tunes.

Helmut Lotti is a Belgian tenor and singer-songwriter. Lotti performs in several styles and languages. Once an Elvis impersonator, he has sung African and Latino and Jewish music hit records, and he crossed over into classical music in the 1990s. The Golden Collection is a unique music monument. A deluxe box packaging with 34 discs full of audio and video music. Helmut Lotti's complete catalog available as one collection for the very first time. This makes “The Golden Collection” the ideal gift this year.

Noel Gallagher's High Flying Birds - Who Built The Moon? (2017) {Sour Mash JDNCCD27} (Complete Artwork)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 339 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (jpg) -> 127 Mb | 5% repair rar
© 2017 Sour Mash Records | JDNCCD27
Rock / Indie Rock / Alternative Rock

It's hard to blame Noel Gallagher for opting for stability over adventure once he disbanded Oasis. After spending nearly 20 years battling his brother Liam, he needed to take things easy, and if his solo records – Noel Gallagher's High Flying Birds (2011) and Chasing Yesterday (2015) – were a little too calm, consider it a consequence of navigating himself out of chaos. Despite achieving solo success, Gallagher seemed to have a nagging voice in the back of his head that he'd ceded the psychedelic ground he claimed at the height of Brit-pop. That voice began to beckon when he first launched his solo career, leading him to cut an album with trippy production team Amorphous Androgynous in 2011 but, unsatisfied with the results, he scrapped the project.

On January 12, 1970, 'Time' magazine placed The Band on its cover with the headline, 'The New Sound of Country Rock.' In the taxonomy of popular music, Country Rock was now a thing, a categoryby 1970. There were Country Rock browser bins in some stores, and trade magazines like 'Billboard'routinely classified records as country-rock or country/rock, expecting readers to know what they meant.

A 19-CD box set? Twenty one and a half hours of music? A 72-page book? Artefacts that include a receipt for her first piano? Who said the music industry no longer had money to burn?
For anybody unfamiliar with Sandy Denny’s yearning, evocative songs, her teeteringly vulnerable vocal style and the erratic contours of a career that ended shockingly in a fall downstairs in 1978 when she was 31, this eye-watering project may seem like ludicrous indulgence.