Chicago blues drips from the raw and gritty music of Magic Slim. His vocals are delivered like a champion boxer punches. His sharp, fast lead guitar notes are drenched in sweat. His rife rhythms rock like a ship that’s tossed about by a hellacious storm. His potent backing band – comprised of Jon McDonald (guitar), Danny O’Connor (bass), and David Simms (drums) – is more than capable of supporting the master. Together with Slim, they are considered to be one of the last real Chicago blues bands. Magic Slim doesn’t need to rely on guest stars in order to make a great CD. Still, eight confidant colleagues, including Otis Clay and Elvin Bishop, appear throughout the 47-minute disc. This is practically a 100% pure Chicago blues record. It was recorded in Chicago, it was produced by a Chicago blues artist, the cover photo and CD design were created by a Chicago graphic artist, most of the songs were written by Chicago artists, and the guests are all associated with Chicago.
2009 two set compilation from the legendary Rock guitarist who has played with Thin Lizzy, Pink Floyd and Gary Moore as well as enjoying a successful solo career. This carefully chosen double CD compilation showcases the best of his work from three decades of creativity. It includes his memorable 1983 UK Top Ten hit single Bird Of Paradise and many more tracks from albums made with his own regular White Flames band. Among the 1980s albums that provide a rich source of material for Disc One are White Flames , That Certain Thing , Snowy White , Change My Life and Open For Business . Disc Two covers the period from 1994 to 2005, drawing from Snowy s albums Highway To The Sun , No Faith Required , Little Wing , Keep Out: We Are Toxic , Restless and Way It Is.
Tony Joe White's self-titled third album, Tony Joe White, finds the self-proclaimed swamp fox tempering his bluesy swamp rockers with a handful of introspective, soul-dripping ballads and introducing horn and string arrangements for the first time. The album – White's 1971 debut for Warner Bros. – was recorded over a two-week period in December 1970, in two different Memphis studios (one was Ardent Studios, where Big Star later recorded their influential power pop albums). His producer was none other than London-born Peter Asher, who had just produced James Taylor's early hits for the label (he would continue to produce hits for Taylor and Linda Ronstadt on his way to becoming one of the most successful producers of the '70s). One can surmise that Warner Bros. may have put White and Asher together as a way for the producer to work his magic with an artist who had much promise.
Hailing from the transition town of Totnes, Devonshire, England, Magic Bus are a band that freely admits that they think they are still producing music of the psychedelic era of the 1960s and early 1970s. Their sound definitely conjures up early psychedelic jazz of Canterbury Scene bands Caravan, Soft Machine and Steve Hillage though it also takes inspiration from the psychedelia coming from the West Coast of the USA in the late Sixties (specifically Jefferson Airplane, The Grateful Dead, Crosby, Stills & Nash)…