This two-fer from BMG Canada features a pair of out of print Guess Who LPs: Wheatfield Soul and Artificial Paradise, both originally issued on RCA Victor in 1968 and 1973 respectively…
Pete Townshend revisited the rock opera concept with another double-album opus, this time built around the story of a young mod's struggle to come of age in the mid-'60s. If anything, this was a more ambitious project than Tommy, given added weight by the fact that the Who weren't devising some fantasy but were re-examining the roots of their own birth in mod culture…
After the musical uncertainty of Waterloo Lily, Caravan returned with their most inspired recording since In the Land of the Grey and Pink. The splendidly titled For Girls Who Grow Plump in the Night is several steps ahead in terms of fresh musical ideas that wholly incorporate the band's trademark humor within the otherwise serious and challenging sonic structures…
Who Do We Think We Are is the seventh studio album by the English hard rock band Deep Purple, released in 1973. It was Deep Purple's last album with singer Ian Gillan and bassist Roger Glover until Perfect Strangers came out in 1984…
Who Do We Think We Are is the seventh studio album by the British band Deep Purple, released in 1973. It was Deep Purple's last album with singer Ian Gillan and bassist Roger Glover until Perfect Strangers came out in 1984…
Rigor Mortis Sets In is the third solo album by John Entwistle, who was the bassist for The Who. Distributed by Track Records, the album was named John Entwistle's Rigor Mortis Sets In in the U.S. Co-produced by Entwistle and John Alcock, it consists of three Fifties rock and roll covers, a new version of the Entwistle song "My Wife" from The Who's album Who's Next, and new tracks (only six of the ten songs were new). Rigor Mortis Sets In set in motion John Entwistle assembling his own touring unit during the increasing periods of The Who's inactivity. The cover art of the gatefold LP features on one cover an outdoor photo of a grave, whose heart-shaped headstone is engraved with the dedication described above, while the grave's footstone is inscribed "V.S.O.P." (a grading acronym for cognac). Rigor Mortis Sets In had a rough launch due to its title and cover art. BBC Radio refused to play the album and banned it.