Why Pink Floyd

The 4-disc set contains three discs of live footage taken from the Live 8 shows staged in London and Philadelphia alongside key highlights from the seven other concerts staged across the world. Japanese four DVD box set of the Live 8 Festival on July 2, 2005. Features Pink Floyd performance at the festival, and video of their rehearsal…

A superb Box-Set containing 4xCDs; limited edition of 300 numbered copies; incl. a booklet with the complete tracklisting.

For any band to follow up on a success is not an easy task, and even in the best circumstances, coming back from the massive success of "Dark side of the moon" could have been an impossible task for Pink Floyd . Unfortunately, when they returned to the studio in January 1975, conditions were far from favorable within the group, for various reasons, in particular the fact that, after having adapted their lives to their worldwide success, the members of the group found themselves more disoriented than satisfied. The problem was made worse by a growing disconnect between bassist Roger Waters and the rest of Pink Floyd, especially guitarist David Gilmour.

By the time of David Gilmour's solo debut, he had not only established himself several times over as an underrated, powerful guitarist in Pink Floyd, but as a remarkably emotional singer, his soothing approach perfectly suited to such songs as "Wish You Were Here." The self-titled album, recorded with journeyman bassist Rick Wills and Sutherland Brothers drummer Willie Wilson, later to be part of the touring Floyd lineup for its Wall dates, isn't a deathless collection of music in comparison to Gilmour's group heights, but is a reasonably pleasant listen nonetheless. Certainly it's much more approachable than Animals, released earlier that year, eschewing epics for relatively shorter, reflective numbers. While Gilmour wrote the vast majority of the songs himself, the most successful number was co-written with Unicorn member Ken Baker: "There's No Way Out of Here," an agreeably dreamy, wistful song…

Rolling Stone Magazine released a list of "500 Greatest Songs of All Time" in November 2004. It represents an eclectic mix of music spanning the past 50 years, and contains a wide variety of artists sharing the spotlight. The Rolling Stone 500 was compiled by 172 voters comprised of rock artists and well-known rock music experts, who submitted ranked lists of their favorite 50 Rock & Roll/Pop music songs. The songs were then tallied to create the 500 Greatest Songs of All Time.

It's a bold concept; take Pink Floyd's iconic Dark Side of the Moon (Harvest, 1973) and reinterpret it in a big band jazz setting. With upwards of forty million copies sold, every note, every nuance of Floyd's eighth album is so firmly entrenched in the minds of the band's legion devotees that to tamper with the work in any way is to leave oneself open to facile criticism. French-Vietnamese guitarist Nguyên Lê, however, is nothing if not adventurous. Lê has already demonstrated on Purple: Celebrating Jimi Hendrix (ACT Music, 2007) and Songs of Freedom (ACT Music, 2012)—his tribute to classic pop and rock songs of the 1960s and 1970s—that he can breathe new life into old material without being overly reverential.