Why Pink Floyd

Pink Floyd will release two physical versions of their first new music in over 25 years, recent single “Hey Hey Rise Up,” which was first released digitally in April to support of the people of Ukraine. The single will be available as both a 7-inch and CD single on Oct. 21 in the U.S., with both formats boasting newly-reworked version of “A Great Day For Freedom,” from the band’s 1994 album. The Division Bell. David Gilmour reimagined the song using the original tapes, which feature Nick Mason on drums and the late Richard Wright on keyboards.

Live 8 was a string of benefit concerts that took place on 2 July 2005, in the G8 states and in South Africa. They were timed to precede the G8 Conference and summit held at the Gleneagles Hotel in Auchterarder, Scotland from 6–8 July 2005; they also coincided with the 20th anniversary of Live Aid. Run in support of the aims of the UK's Make Poverty History campaign and the Global Call for Action Against Poverty, Ten simultaneous concerts were held on 2 July and one on 6 July. On 7 July the G8 leaders pledged to double 2004 levels of aid to poor nations from US$25 to US$50 billion by the year 2010. Half of the money was to go to Africa.

MQR is once again proud to present our newest title, Forever and Ever, a mashup of The Division Bell and The Endless River designed to make The Division Bell less radio-friendly and The Endless River less avant garde. It is intended as a true final Pink Floyd record, an alternate reality version of what should have been released in 1994.

A unique Jazz album entitled The Jazz Side of The Moon is the next in Chesky Records series of newly recorded Jazz performances. The album is subtitled “The Music of Pink Floyd” and as you might guess, it presents a new take on the classic album The Dark Side of The Moon by Pink Floyd.

Returning anew to the original record it's fascinating to re-discover how provocative Pink Floyd's classic remains, and to hear how well this quartet's collective interplay served that music. And how beautifully Sam Yahel's organ-while not the dominant voice, surely a prominent presence-sets the aesthetic tone for these proceedings: nothing rushed or forced or extravagant…elegant and swinging and exploratory, never stepping on anyone's toes-deceptively laid back and responsive, always listening intently, with plenty of rhythmic vitality…a sensibility he shares with collaborators Mike Moreno, Ari Hoenig and Seamus Blake, which goes a long ways towards explaining why their take on Pink Floyd's music is so engaging and stands up so well to repeated listenings.

Skillfully edited together from the handful of Wall shows Floyd performed between 1980 and 1981 (much of the recordings date from shows at Earl's Court in London), Is There Anybody out There? replicates The Wall live – which, of course, was a replication of the record, only with spectacular visuals. There are two songs not on the studio album – "What Shall We Do Now?," a tune pulled from the record at the 11th hour (early pressings still listed it on the sleeve), plus "The Last Few Bricks," which was an instrumental at the end of the first act that gave the crew time to finish building the wall – but they add nothing to the overall piece. There are no revelations at all, actually, with the possible exception of the layered harmonies on "Outside the Wall," which makes this coda seem like a full-fledged song. Since the show was so rigidly structured, there was little opportunity for the band to stretch out and jam. All of this means that Is There Anybody out There? is The Wall by any other name, and that it isn't for anybody but Floyd fanatics. Will this disappoint the less-dedicated listener? Not necessarily, since anybody familiar with The Wall will likely enjoy it as it's playing. The question is, how often will you put the record on? After all, if you want to hear this music, you'll listen to the studio recording. That doesn't really diminish the worth of Is There Anybody out There?, but it hardly makes it necessary, either. – Review by Stephen Thomas Erlewine