As you can expect from an album the title song should be a highlight. Not true in every case - but this time by all means. When listening to Wide Open N-Way you're first immediately forced to believe that this is an american westcoast psych band. Accent-free vocals and a very cool straightforward sound with acoustic guitar. But then they are showing another second sight right away with a weird piano and guitar echoes dominated krautrocked interlude…
The esteemed baritone saxophonist and distinguished member of the World Saxophone Quartet previously known as Hamiet Bluiett has apparently dropped his first name, which is indicated on the title and credits of this 2000 solo release. Yet whatever the circumstances, Bluiett's quartet serves up a tasty brew consisting of soulful ballads, calypso rhythms, and hardcore swing on this affable effort featuring guitarist Ed Cherry, bassist Jaribu Shahid, and drummer Nasheet Waits. Essentially, Bluiett balances a steely edged attack with fluid swinging lines and an altogether impressive faculty for enhancing the proceedings with his seemingly impossible ability to hit those high notes, which is uncommon or perhaps unattainable for most baritone saxophonists.
Since Full Moon Fever was an unqualified commercial and critical success, perhaps it made sense that Tom Petty chose to follow its shiny formula when he reunited with the Heartbreakers for its follow-up, Into the Great Wide Open…