Jimmy McGriff's B-3 sound was always rooted in blues and gospel, and his soloing could be very smooth and polished. But every once in a while, he had to break out of his own soul box and tear it up on a session. The Worm, issued on Solid State Records in 1968, is the very first place he did. This is the first true, all-out funky burner from McGriff, and it sounds very different from most of the other titles on his shelf. Having a band like this helps: trumpeter Blue Mitchell, tenor saxophonist Fats Theus (with Bob Ashton on baritone and Danny Turner on alto), alternating drummers Mel Lewis and Grady Tate, bassist Bob Bushnell, and guitarist Thornel Schwartz were all in their prime in 1968. The title track, written by McGriff, Theus, and producer Sonny Lester, sets the tone for the whole platter.
Vixen lives in a Canadian mountain resort with her naive pilot husband. While he's away flying in tourists, she gets it on with practically everybody including a husband and his wife, and even her biker brother. She is openly racist, and she makes it clear that she won't do the wild thing with her brother's biker friend, who is black.
It was bound to happen sooner or later: pretty much everything known by Mahler put into one box (16 cd's).EMI and DG–which also drew on the catalogues of Decca and Philips–have each produced complete-edition boxed sets to coincide with the 150th anniversary of Mahler's birth. One set seems like an inexhaustible treasure trove; the other one is more like a mere assemblage of all of Mahler's music.
Despite the bald-faced references to bootlegs in the title, this is a totally legit four-CD box set release of live 1967-1970 Doors from numerous shows, all of it previously unissued…
This is the expanded 'I Got Kinda Lost' unofficial Big Star box set. Previously this set contained four discs and was jam packed with all kinds of Big Star related tracks. Like the previous incarnations of 'I Got Kinda Lost', this expanded 2013 release attempts to tell the story chronologically of Big Star through their studio outtakes and alternate versions by keeping it more Big Star centric through the prism of Chris Bell and Alex Chilton - the architects of the band.