I think that the corrrect name of this album is SOUL EYES and not sad eyes as indicated here. This recording is from 1991, but well on the same artistic level as later albums from Ponder. Here we have Ponders usual "brew" of Heavy Blues Swingers (Kansas City) Funk(All Blues)Standards(You are too beautiful) and Blues (You dont have to go) and that mix works. Ponder plays the simple riff on Kansas City single string.and he can "outline the groove" like noone else on tunes like this.Another highlight is "You are too beautiful" where Ponders solo will take any jazzguitar nut to "heaven".
Live at Rome Olympic Stadium is a live album by English alternative rock band Muse, which will be released from 29 November 2013 . The album contains the band's performance at Rome's Stadio Olimpico on 6 July 2013, in front of a crowd of 60,963 people. The concert was a part of The Unsustainable Tour, which is a moniker for the band's summer 2013 European leg of The 2nd Law World Tour
Daniel Taylor is a Canadian countertenor, one of a group that has come on the scene in recent years and given promise that soon the countertenor voice will be considered less an exotic specialty and more a generally cultivated voice type. Taylor, perhaps more than other countertenors active today, sounds as though he is engaging in a natural kind of voice production rather than channeling his voice into circuitous channels. His sound is quite awesomely smooth, little touched by vibrato or strong passion, restrained, extremely elegant, and modest in dimension – perfect, in short, for the Dowland songs and mostly smaller Purcell airs that make up the bulk of this two-CD compilation, drawn from a pair of earlier releases.
The band has released their third live album: Live at Rome Olympic Stadium, from 29 November 2013 in the CD/DVD and CD/Blu-ray formats. On 5 November 2013, the film will also get theatrical screenings in 20 cities worldwide, in the U.S. and Canada on 6 November 2013, in Europe, UK, Australia and Japan on 7 November 2013, on 12 November 2013 in Austria, Germany, Italy and Spain, on 19 November 2013 in Poland, and 22-24 November 2013 in Indonesia.
John Frusciante kicked it into high gear in 2004, not only releasing Shadows Collide With People through Warner Bros., but also planning to release an album every other month or so through the rest of the year on the Recordcollection label. The first of these releases is Will to Death, a collaboration with Josh Klinghoffer (who also helped out with Shadows Collide With People). Those familiar with Frusciante's other solo work will know that this material will be far from Red Hot Chili Peppers lite: Frusciante definitely has his own (somewhat haunted) muse. The songs are basically nice little pop tunes, with hard-panned oddball production and very personal, introspective lyrics. This album also marks a new personal aesthetic for Frusciante: he wanted these songs to be raw and immediate (as inspired by some of his favorite albums), and to this end there were very few takes involved with any of these songs, and mistakes and elements of chance found their way in as well.
Original album plus seven bonus tracks (six previously unreleased), two mixed to 5.1 surround, and all to stereo by Steven Wilson. The 40th Anniversary edition of Jethro Tull’s Minstrel In The Gallery. The album has been expanded to include the b-side Summerday Sands, several studio outtakes, and alternate session material recorded for a BBC broadcast. The second disc features a live recording of Jethro Tull performing at the Olympia in Paris on July 5, 1975, a few months prior to the release of Minstrel In The Gallery. During the show, the band played songs from several of its albums, including War Child and Aqualung, as well as an early performance of Minstrel In The Gallery. It was mixed to 5.1 & stereo by by King Crimson guitarist Jakko Jakszyk.