Will O The Wisp

A monumental innovator, icon, and maverick, trumpeter Miles Davis helped define the course of jazz as well as popular culture in the 20th century, bridging the gap between bebop, modal music, funk, and fusion. Throughout most of his 50-year career, Davis played the trumpet in a lyrical, introspective style, often employing a stemless Harmon mute to make his sound more personal and intimate. It was a style that, along with his brooding stage persona, earned him the nickname "Prince of Darkness." However, Davis proved to be a dazzlingly protean artist, moving into fiery modal jazz in the '60s and electrified funk and fusion in the '70s, drenching his trumpet in wah-wah pedal effects along the way.

This intriguing set features percussionist Mino Cinelu with Kevin Eubanks (on acoustic guitar) and bassist Dave Holland. They perform four Eubanks songs, three by Holland, and two from Cinelu, music that ranges from exotic sounds to light and creative funk grooves. It is quite intriguing hearing Eubanks sticking exclusively to his acoustic guitar and Cinelu adds plenty of catchy yet unpredictable rhythms. However, Holland often takes solo honors and he usually holds the group together with his authoritative and flexible sound. Very interesting music that's worth listening to closely several times.

Be the envy of all your Mile Davis-loving friends by adding this 5-piece set to your already-fantastic collection. Don't hesitate - order this awesome, amazing Miles Davis keepsake now. Because this set is so limited, supplies are extremely limited, so order online or give us a call today to snag yours before this precious time-capsule of a great musician's greatest musical masterpieces escapes your grasp forever.

Beginnings (1975). "Beginnings" is the debut solo studio album of Yes' guitarist Steve Howe. The album was one of the five solo efforts released in the same period of time by all Yes' members during a hiatus of time by the band, after the release of their studio album "Relayer", in 1974. "Beginnings" also features some Yes’ members, Alan White and Patrick Moraz, and the ex-Yes' member Bill Bruford. There are also members of the progressive rock band Gryphon, Graeme Taylor, Malcolm Bennett and Dave Oberlé on one of the songs, besides other guest musicians.
"Beginnings" sounded overall most like a folkier version of Yes' sound with less emphasis on the keyboards. The material on the album is decent and varied. However, the problems here are the vocals of Howe himself. His voice fitted well into the vocal harmonies in Yes, but it reveals itself as very thin and helpless when it stands alone…

When Opeth released Heritage in 2011, they had completed the transformation from their death metal origins through progressive death metal in the early 2000s, to full-on prog rock that celebrated their love of Camel, Jethro Tull, ELP, and more. 2014's excellent Pale Communion furthered those notions as frontman and songwriter Mikael Åkerfeldt's own vision began to emerge. Sorceress is the third installment in this phase of the band's career, and while considerably different and more exploratory than its precursors, it also references Opeth's earlier efforts like Ghost Reveries and Blackwater Park, but goes further than either in its diversity.
Uncharacteristically, Åkerfeldt wrote the album quickly. He enlisted Tom Dalgety as co-producer (who also engineered and mixed) and Opeth recorded it in twelve days at Rockfield Studios in Wales…

The time is right for CBP to finally release a recording made up of cover versions. "Horrific Honorifics" is an unashamed celebration of songs that have either influenced Justin Greaves and CBP in music and life, or have been on the “cover song short list” for quite some time, waiting to be recorded once the opportunity arose.
Throughout the history of the band there have always been the occasional cover songs, but mostly consigned to the extra-or-hidden-track department, although a couple of songs made it onto albums such as “Of A Lifetime” on I,Vigilante, and most recently “Turn To Stone” on the critically acclaimed album Bronze, which were instant hits and popular live songs. Now it’s time to dedicate a whole release to this CBP tradition…

Pet Shop Boys resume their exceptional late-period run with Hotspot, their third in a series of high quality collaborations with producer/engineer Stuart Price. Recorded at Berlin's legendary Hansa Studios, the acclaimed duo's 14th album finds them firmly in their element, delivering crisp electro-pop invocations, wry dance bangers, and melodic gems both sunny and stormy. Still more or less in the self-described "electronic purist" mode of 2013's Electric and 2016's Super, Neil Tennant and Chris Lowe make a few allowances here, particularly on the melancholic standout, "Beneath the Heather," which features some crafty psych-inspired guitar work from Suede guitarist Bernard Butler.