William Alwyn Symphony No.5, Sinfonietta For Strings, Piano Concerto No.2 (lso Richard Hickox)

In addition to his symphonic recordings, Berglund also recorded concertos by Shostakovich with Tortelier and Ortiz. The album also includes the piano solo "Three Fantasy Dances", recorded in 1973-1975.

Nelson Goerner is not especially known for his Brahms, and this 2018 Alpha release of the Piano Concerto No. 2 in B flat major marks his first commercial recording of a major Brahms work. While he is widely viewed as a poet at the piano, mostly because of his introspective playing of solo piano music by Chopin and Debussy, Goerner's close-to-the-vest approach may be viewed as a liability in such a heroic and powerful work as this concerto, where assertive playing is required and pianists are expected to demonstrate muscular prowess over poetry.

The debt owed by French music to Saint-Saëns is often overlooked. At a time when many composers saw opera as the only way forward, Saint-Saëns took the supposedly Germanic forms of symphony, sonata and concerto, and transformed them into something idiomatically French. His five concertos for piano and orchestra demonstrate his own skills as a pianist and reflect his admiration for Liszt.

Mendelssohn's first symphonic work scored for full orchestra, the Symphony Op.11 in C minor, paved the way for even greater examples of the genre he was soon to produce. The concert overture Die schöne Melusine and the sparkling Piano Concerto No.2 rely on the type of orchestration and harmonic language that are best served when played on period instruments, as heard here. Devoid of the atmosphere of Romantic doom and gloom, nearly every page of both scores is marked by an exuberant cheerfulness, youthful drive and irrepressible energy in these splendid performances from fortepianist Kristian Bezuidenhout and the Freiburger Barockorchester led by Pablo Heras-Casado.

Seong-Jin Cho garnered international attention and critical accolades through his first prize victory in the 2015 Warsaw Chopin Competition, followed by a studio recording pairing Chopin's Piano Concerto No. 1 and the 4 Ballades. Five years later, Seong-Jin returns to Chopin with a complementary program consisting of the romantic Piano Concerto No. 2 and the 4 Scherzi.