Wired 19

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A heady cocktail of Chic-style funk-pop, sunshine grooves and scorched-soul balladry, 'TBNH' refines, reimagines and ultimately reinvents a winning formula which has won them sixteen top 40 hits and three million album sales to date.

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Silva Screen Records has released a soundtrack album for the HBO limited series Landscapers. The album features the show’s original music composed by Arthur Sharpe (The Electrical Life of Arthur Wain, Guilt, Ghosts, Flowers, The Darkest Universe).

UK six CD set including book of lyrics and an A2 fold out poster. Packaging – 6 discs housed in a hard back book with outer slipcase. This box includes Ronnie’s 4 solo albums – Anymore For Anymore (+ singles), Ronnie Lane’s Slim Chance, One For the Road and the cruelly underrated See Me. In addition it features tracks from Ronnie’s Mahoney’s Last Stand album with Ron Wood and Rough Mix with Pete Townshend. The final disc of the set focuses on Ronnie’s time in the US with live highlights and studio tracks never previously released. The set also featured lots of rare and unreleased material – be prepared to here fantastic cover versions of The Wanderer, Rocket’ 69 and The Joint Is Jumpin’ as well as unheard Ronnie compositions plus live recordings, tracks for the BBC and highlights from a legendary Rockpalast concert. The set is curated by long time musical associate of Ronnie’s, Slim Chancer musician Charlie Hart. Comprehensive sleevenotes focus on Ronnie the musician, the songwriter, the collaborator and split the post ’73 period into three distinct parts . Writers are Paolo Hewitt, Kris Needs and Kent Benjamin covering Ronnie’s Austin years.

Though it's just a collection of their first three EPs dating back to '90/'91 (plus two unreleased covers), Learning to Walk is actually the best LP released by this great Liverpool band, even better than Giant Steps. The four tracks off '90s Kaleidoscope are a good whiplash start, a sharp upgrade from their sloppy, raspy, first LP Ichabod and I, but this LP really gets going with the four cuts off '91's Every Heaven, an even bigger jump in quality. "The Finest Kiss" is the band's second best track of all time, mixing Sice's pristine pop vocal with a jumpy bassline and stabbing guitars. Likewise, "Tortoiseshell," "Bluebird," and especially the terse "Naomi" are almost as stunning, so overflowing with high-tension-wired guitar and more lovely vocal lines.