For any band to follow up on a success is not an easy task, and even in the best circumstances, coming back from the massive success of "Dark side of the moon" could have been an impossible task for Pink Floyd . Unfortunately, when they returned to the studio in January 1975, conditions were far from favorable within the group, for various reasons, in particular the fact that, after having adapted their lives to their worldwide success, the members of the group found themselves more disoriented than satisfied. The problem was made worse by a growing disconnect between bassist Roger Waters and the rest of Pink Floyd, especially guitarist David Gilmour.
On its release in 1975 Wish You Were here topped the album charts in both the UK and the US. Reflecting the bands thoughts of the time on the music business, and exploring themes of absence, Wish You Were Here contains the classic cut Shine On You Crazy Diamond, a tribute to founder member Syd Barrett.
Pink Floyd followed the commercial breakthrough of Dark Side of the Moon with Wish You Were Here, a loose concept album about and dedicated to their founding member Syd Barrett. The record unfolds gradually, as the jazzy textures of "Shine on You Crazy Diamond" reveal its melodic motif, and in its leisurely pace, the album shows itself to be a warmer record than its predecessor. Musically, it's arguably even more impressive, showcasing the group's interplay and David Gilmour's solos in particular. And while it's short on actual songs, the long, winding soundscapes are constantly enthralling. The Immersion Edition of Wish You Were Here expands the double-CD Deluxe set with two DVDs and a Blu-ray…
I Wish We All Could Win is the debut of the Afters, a Texas quartet whose slick alternative pop settles nicely between Switchfoot and Fountains of Wayne. They avoid the latter band's sardonic wit – after all, Win is a joint release between Epic and Christian imprint INO. Instead, the Afters concentrate on bright and hopeful, but also pretty trite sentiment like "On this beautiful night/We'll make everything right/My beautiful love," and "Love Will You Make You Beautiful."..
The Cure's 1989 album Disintegration was the band's inarguable artistic peak, and surprisingly also their biggest commercial success to date. A rare feat for any group, but especially unexpected when considering how Disintegration abandoned much of the pop excitement the Cure had been working with through the mid-'80s and returned to the drawn-out and depressive textural rock of their early days. Disintegration's grim grandeur and epic presentation had an air of finality, and its perfect synthesis of everything the band had explored leading up to it put the Cure in a very difficult spot when it was time to follow up. Almost three years passed before 1992's Wish arrived, continuing Disintegration's slow-moving torment on songs like "Apart" and the violin-underscored "To Wish Impossible Things," but bringing back melody and upbeat tempos to a handful of standout tracks…