Woman Against Woman

Cynthia is married to Steve and is a selfish hard woman. She decides where they will live, who they will see and even gets rid of Dora, the nanny who raised Steve and is now raising their daughter Ellen. When Steve divorce's Cynthia, even his mother is on Cynthia's side. While pleading a case in Washington, Steve meets a woman named Maris and falls for her. Maris does not know if she is going to the altar or the chopping block, but they marry and come back to his hometown. Unfortunately, Maris is the outsider, and being a small town where Cynthia and Steve grew up, everyone is Cynthia's friend and not Maris. Cynthia will use every occasion, every trick, including Ellen, to try to ruin the life that Steve has with Maris.

Described by Joan Wasser as 'punk rock R&B' and 'American soul music,' Joan as Police Woman combine two of the biggest influences on her music: classic soul such as Al Green and Nina Simone and the rougher experimental sounds of Sonic Youth and Bad Brains. Produced by Tyler Wood, the fifth full-length studio release for Joan Wasser features guest appearances from Joseph Arthur and Reggie Watts.

Since the Reformation, Protestants have confessed that the church is reformed and always reforming. But do we really believe this? Why, then, are we so shocked to hear that the church itself needs a sexual reformation? That the church has been fighting to uphold biblical distinction between the sexes against a culture that is rapidly and aggressively challenging this, is certainly one reason. But in trying to be faithful to the beauty of God's design for man and woman, the church has instead latched onto a pagan, Aristotelian concept of man and woman—that woman is by nature inferior to man—which robs us of the dignity of personhood as man and woman created in the image of God.