Valerio Celentano - Debussy: A Guitar Perspective (Transcriptions, Dedications, Inspirations) (2022)
FLAC (tracks) 24-bit/96 kHz | Front Cover | Time - 89:23 minutes | 1,43 GB
Classical | Label: Da Vinci Classics, Official Digital Download
Debussy’s “Iberism” was made to glide, in the fashion of a synecdoche, towards a clear and declared “Guitarism”. However, the Frenchman’s explicit citations of and allusions to the guitar would suffice to support such theses. If Segovia’s most cherished vision saw the guitar as a “miniature orchestra”, Debussy overturned it. In some cases, he treated the orchestra itself as a “great guitar”. In Matin d’un jour de fête, from Ibéria, he makes his request of imitation explicit, through the indication of “quasi chitarra” asking the violinists to hold the instrument under their arms. The same premise applies to the articulation and interpretation of the piano prelude La sérénade interrompue.