“Revel in Time”, the third album from ARJEN ANTHONY LUCASSEN'S STAR ONE, is as much of a reaction as it is a contrast to Arjen Lucassen’s previous album, “Transitus” from Ayreon. While “Transitus” is a cinematic experience that you may almost call a musical, “Revel in Time” is a heavy album that is very riff driven and there is more focus on virtuoso musicianship. Similar to its predecessors, “Revel In Time” works as a concept album. All tracks are inspired by different movies that deal with some kind of manipulation of time. There is one thing this time around that is quite different compared to the earlier STAR ONE albums: The first two had the same cast of four singers: Floor Jansen, Russell Allen, Damian Wilson and Dan Swano. However, this time Arjen decided to generally have mainly one singer per track, and a different for almost each track. This shows especially on CD 2, the “Same Songs, Different Singers”-CD as Arjen likes to call it. The guide vocals that were recorded (for the other singers) were way too good to just be guide vocals. Thus, Arjen decided to release a second version of the songs with the guide vocals on them as CD2.
"Certain people" will know that we're coming in hot with one that's got all these things and more, Dave's Picks Vol. 41: Baltimore Civic Center, Baltimore, MD, 5/26/77. Yes, there's still plenty of spectacular May '77 to go around. Nearly chosen for Dave's Picks Vol. 1, 5/26/77 delivers three-fold. There's one count for the energy - all the precision of the Spring tour conjuring up the raw power of the Fall tour that was to come. There's another for the setlist which featured beloved songs from WORKINGMAN'S DEAD and soon-to-be favorites from the freshly recorded TERRAPIN STATION. And a third for its element of surprise (or shall we say surprises) from an astonishingly peak 15-minute "Sugaree" to new delights ("Sunrise," "Passenger," "Jack-A-Roe') to a rare first-set finale of "Bertha" to the second set's "Terrapin>Estimated>Eyes," traveling leaps and bounds towards the improvisational journey that is a nearly 17-minute "Not Fade Away."
Frontiers Music Srl is thrilled to announce the upcoming release of the debut album from an extremely talented melodic hard rock band from Serbia, The Big Deal. Their debut album, “First Bite” will be released on May 13, 2022. The Big Deal, featuring two outstanding vocalists, Ana Nikolic and Nevena Brankovic (who is also a highly skilled keyboard/piano player), offers up a catchy, driving sound that will appeal to both melodic rock and hard rock fans. "First Bite" is an absolute tour de force showcasing the outstanding talents of the individual members over the course of 11 tracks of infectious, hooky, memorable songs.
In 1972, Frank Zappa experimented with an "electric orchestra" concept which resulted in 2 albums: Waka/Jawaka and The Grand Wazoo. Celebrating the 50th-anniversary of this endeavor, Waka/Wazoo documents the recording sessions with outtakes and oddities on 4 CDs. Also included is a December 1972 live show from Winterland Ballroom in San Francisco and unreleased George Duke demos.
Seven years in the making, the official retrospective of one of Somalia's most famous and beloved private bands, Iftin. Digitized from cassettes recorded between 1982 and 1987 at the legendary Al-Uruba hotel's secret studio and the jams for the masses performed in the basement of Somalia's national theater. Banaadiri rhythms from Somalia's south, Mogadishu's finest vocalists, Dhaanto reggae-like guitar licks, and smoldering brass blend seamlessly with the sounds of Asia, the Middle East, and Africa to form one of rawest, most cosmopolitan eras of music anywhere. Iftin's Mogadishu is where the world's sounds begin and end.
On September 15, 1957, John Coltrane went into Rudy Van Gelder’s living room studio in Hackensack, New Jersey and recorded his first great masterpiece: Blue Train. The fulfillment of a handshake deal Coltrane made with Alfred Lion, it would be the legendary saxophonist’s sole session as a leader for Blue Note Records, a locomotive five track album fueled by the bluesy title track that featured a dynamic sextet with Lee Morgan on trumpet, Curtis Fuller on trombone, Kenny Drew on piano, Paul Chambers on bass, and Philly Joe Jones on drums. Blue Train established Coltrane as a force of nature and set him on a course towards becoming one of the most revered and influential jazz artists of all-time.