Xarchakos 6+6 (1964) Columbia 33gsx6 (24bit/96khz)

Denny Zeitlin - Mosaic Select, The Columbia Studio Trio Sessions (2009) {3CD Set, Mosaic MS-034 rec 1964-1967}
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© 1964-67, 2009 Mosaic Records / Sone Music | MS-034
Jazz / Hard Bop / Post Bop / Piano

Remarkably, whether he's playing an impressionistic ballad, a hard bop classic or a free original, Denny Zeitlin sounds like no other. He has the technique and harmonic knowledge to execute anything his fertile imagination conjures up. His music resonates with joy and honesty. Denny Zeitlin's first album, Cathexis, recorded in 1964 with Cecil McBee and Freddie Waits was an instant critical and commercial success with Zeitlin hailed as a new and original voice of the piano. Later in 1964, Denny assembled another amazing trio with Charlie Haden and Jerry Granelli and released the album Carnival. Zeitgeist was recorded over 1966 and '67 and documented the end of the trio with Haden and Granelli and the beginning of one with Joe Halpin and Oliver Johnson, two brilliant musicians who died young.

The Shanes - Let Them Show You, The Anthology 1964-1967 (2014) {Columbia–RPM International ‎Retro 950}
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© 1964-67, 2014 Columbia / RPM International ‎| Retro 950
Rock / British Invasion / Beat

2014 collection from the Swedish band. The Shanes - alongside Hep Stars, Ola & Janglers and Tages - were one of Sweden's big four '60s bands. More than a Swedish Yardbirds, from roughly hewn R&B to pop, they retained an edge which always thrilled. They had the longest hair of any of Sweden's bands and were dubbed 'degenerate' by the Swedish press. LET THEM SHOW YOU: THE ANTHOLOGY 1964-67 takes it's picks from The Shanes' golden years, from 1964's growling 'Let Me Show You Who I Am' to the classic pop of 1967's Abbey Road-recorded 'Chris Craft No. 9'. This release is the first Shanes collection to be issued outside Sweden.

One of Tony's best LP's. A masterpiece. Don't ask me to sing "Nobody Else But Me", because I will.

Thelonious Monk - It's Monk's Time (1964) {Columbia–Legacy ‎513357 2 rel 2003}
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© 1964, 2003 Columbia / Legacy / Sony Music | ‎513357 2
Jazz / Bop / Hard Bop / Post Bop / Piano

Although often unrightfully maligned by self-proclaimed "purists," Thelonious Monk did some brilliant work during his early- to mid-'60s stint for Columbia Records. It's Monk's Time (1964) contains some of the best – if not arguably the best – studio sides that the pianist cut during his final years as a recording musician. The album's title turned out to be somewhat prophetic, as Time magazine featured Monk as the cover subject for its February 28, 1964, edition.

Very hip piano trio work – the first Columbia album by Denny Zeitlin, a young fresh talent in the 60s, with an approach that was lyrical, slightly modern, and a bit soulful. The album features a great rhythm section of Cecil McBee on bass and Freddy Waits on drums. Most tunes are originals by Zeitlin – and titles include "Stonehenge", "Cathexis", "I Thou", "Blue Phoenix", and "Nica's Tempo". (Source: Dusty Groove America, Inc.)

For this entry in Dave Brubeck's series of Time albums, his Quartet with altoist Paul Desmond performs "Elementals" with an orchestra and plays five briefer originals including four that have unusual time signatures; "World's Fair" is in 13/4 time.

Celebrating the 60th anniversary of Glenn Gould’s legendary Goldberg Variations.
Glenn Gould Remastered – The Complete Album Collection refurbishes Gould’s complete approved studio recordings using state-of-the-art Direct Stream Digital (DSD) transfer and 24 bit/96 kHz mastering technology in a 81 CDs limited edition. The 416 page book includes complete original liner notes (many penned by Gould himself), a wealth of facsimile documents, rare photographs, full discographical information, and a newly commissioned introductory essay by Gould scholar and biographer Kevin Bazzana.

The Thelonious Monk Quartet of 1964 (comprised of the pianist-composer, tenor saxophonist Charlie Rouse, bassist Larry Gales, and drummer Ben Riley) is well featured on this excellent set which is augmented by two "new" alternate takes ("April in Paris" and "Pannonica") plus a medley of "Just You, Just Me" and "Liza" that was out previously on a sampler.Easily recommended to Monk fans, this set is just further proof that he never made an unworthy recording.