Yelena Eckemoff

Pianist Yelena Eckemoff's backstory doesn't suggest the potential for a rise to the category of top level jazz pianist. But here she is, after emigrating to the U.S. from Russia with her husband—leaving her children (temporarily) and everything else (permanently) behind in 1991 to escape repression and to start a new life. Classically trained in her homeland, Eckemoff came to jazz relatively late. With persistence, talent, ambition, audacity and a seemingly unshakable optimism, she has navigated her way to the top echelon of the jazz world and created a substantial discography of very good to excellent recordings, collaborating with the cream of rhythm section cohorts–-bassists Arild Andersen and Jon Christensen, drummers Peter Erskine and Billy Hart.

Composer and pianist Yelena Eckemoff's Colors (L&H Production, 2019) was a duet with drummer Manu Katche, a unique instrumentation in her ever-growing list of works.

Colors reflect not only the Russian-born pianist and composer's creative drive, but also her seemingly limitless imagination. Each of the 14 colors she interprets represents a different stage in life, with the songs presented chronologically.

Pianist-composer Yelena Eckemoff’s body of elaborate, ambitious jazz concept albums reaches a new virtuosic summit with "Lonely Man and His Fish," to be released April 28. A double-album set, the album is also a long-form parable, a story of deep affection between a human and his beloved pet. An all-star lineup—cornetist Kirk Knuffke, flutist Masaru Koga, bassist Ben Street, and drummer Eric Harland—helps Eckemoff breathe life into the tale.

The only real surprise at this stage in Yelena Eckemoff's unique, super-prolific career would be if the Russian-born pianist-composer made new music that didn't surprise. But even by that standard, Yelena Eckemoff's double album, Better Than Gold and Silver, on which she sets biblical psalms to music, is an amazement: Each disc of Better Than Gold and Silver consists of ten selections, presented in identical order. The first disc features Eckemoff with vocalists, the second disc consists of instrumental versions by the same ensemble, different takes with longer solos in which the vocal lines are given to the various instruments.

The only real surprise at this stage in Yelena Eckemoff's unique, super-prolific career would be if the Russian-born pianist-composer made new music that didn't surprise. But even by that standard, Yelena Eckemoff's double album, Better Than Gold and Silver, on which she sets biblical psalms to music, is an amazement: Each disc of Better Than Gold and Silver consists of ten selections, presented in identical order. The first disc features Eckemoff with vocalists, the second disc consists of instrumental versions by the same ensemble, different takes with longer solos in which the vocal lines are given to the various instruments. The gorgeous clarion tone of Alessi's trumpet spreads joy through a "songs without words" approach.

It takes a discerning eye, or in this case ear, to envision the desert as more than a vast, arid wasteland. Pianist/composer Yelena Eckemoff succeeds in musically portraying many of this daunting environment’s mysteries and its boundless allure on her new recording, "Desert", to be released May 4 on her imprint L&H Production. The quartet outing, the latest in the impressive series of concept albums at the core of the prolific Russian-born, North Carolina-based keyboard virtuoso’s catalog, reunites her with Norwegian bassist Arild Andersen and internationally acclaimed drummer Peter Erskine and features Oregon co-founder Paul McCandless on oboe, English horn, soprano saxophone, and bass clarinet.

Pianist-composer Yelena Eckemoffcasts her eye on the visible spectrum with Colors, her third album in just over a year, set for a February 22 release on her own L&H Production label. Accompanied only by the brilliant French drummer Manu Katché, Eckemoff creates musical impressions of 14 distinct hues, organizing them into a symbolic progression through the stages of life – using a panoply of styles as diverse as the spectrum itself.

Pianist-composer Yelena Eckemoff adds another link to her chain of thoughtful concept albums with Nocturnal Animals, which her own L&H Production imprint will release on January 24. True to its title, the double album features 14 musical impressions of the creatures that rule the night. The pieces are brought to life by a quartet that places Eckemoff alongside bassist Arild Andersen and drummers Jon Christensen and Thomas Strønen.

Pianist-composer Yelena Eckemoff adds another link to her chain of thoughtful concept albums with Nocturnal Animals, which her own L&H Production imprint will release on January 24. True to its title, the double album features 14 musical impressions of the creatures that rule the night. The pieces are brought to life by a quartet that places Eckemoff alongside bassist Arild Andersen and drummers Jon Christensen and Thomas Strønen.Eckemoff is fond of creating these sorts of sonic portrait galleries. Prior albums have explored such disparate subjects as the desert, the biblical psalms, and colors. Yet never before has she taken on such an array of wild beasts. i>Nocturnal Animalsteems with life: in the music, of course, but also in the free-verse poems that Eckemoff has written as supplements to each of the album s compositions.