Yes Tales

Yes are an English progressive rock band formed in London in 1968 by singer Jon Anderson, bassist Chris Squire, guitarist Peter Banks, keyboardist Tony Kaye, and drummer Bill Bruford. The band has undergone numerous formations throughout its history; nineteen musicians have been full-time members. Since June 2015, it has consisted of guitarist Steve Howe, drummer Alan White, keyboardist Geoff Downes, singer Jon Davison, and bassist Billy Sherwood, with no remaining founding members. Yes have explored several musical styles over the years, and are most notably regarded as progressive rock pioneers…

Deluxe box set containing 21 CDs, four Blu-rays and two DVDs - all audio. Three CDs feature Steven Wilson and Robert Fripp stereo mixes of In The Wake Of Poseidon (1970), Lizard (1970) & Islands (1971) + additional tracks. Six CDs feature the Islands line-ups early concerts from Germany (new to CD) and the UK (1971). Nine CDs feature live recordings (several new to CD and/or previously unreleased in any format) from the 1972 US tour, including a new stereo mix of Summit Studios and an expanded Earthbound…

Marcus Miller has served as bassist, arranger, and producer for everyone from Luther Vandross to Miles Davis, and on his fourth solo album, Tales, Miller tries to reconnect the fractured fragments of African American music. He uses samples of recorded interviews with his older musical heroes to set up his own instrumental interpretations of that musical history. For example, spoken-word samples from Davis, Charlie Parker, and Billie Holiday lead into "The Blues," a midtempo blues groove that features both live drums and programmed drums, both jazzy horn lines from saxophonist Kenny Garrett and Larry Graham-like funk lines from Miller himself. The result is not jazz but R&B instrumentals with the sort of smarts and drama this genre rarely delivers anymore.

This is Polish trumpeter and composer Tomasz Stanko at his most confounding. Paired with Janisz Skowron on synthesizer, Stanko claims that these pieces are nothing more than short little musical stories - not fully realized compositions, but sketches. That's reasonable enough, but when certain pieces - such as the opener - are nine minutes in length, that becomes somewhat tenuous as an explanation. The 12 pieces that make up this "suite," if indeed it can be called that, are ephemeral roots and seedlings of ideas not yet realized and not meant to be. This, too, is acceptable as a notion, but why record them? Perhaps Brian Eno can get away with nonsense like this since he's not - by his own admission - a musician, but Stanko is an ambitious talent, a sophisticated composer whose control over an ensemble brings out the sublime in them.

An Australian release, this is a 2CD set celebrating the very best male singers and songwriters - artists include Bernard Fanning, Josh Pyke, Paul Kelly, Xavier Rudd, Dan Sultan, Ash Grunwald, José González, Ryan Adams, Rufus Wainwright and many more.

Following on from the success of Cocoon, Tiger Moth Tales are proud to announce the brand new album “Story Tellers – Part 1”. After seeing an internet challenge to conceive and record an album in the month of February, Pete Jones was inspired to get back into the studio. To record an album in 28 days was quite the challenge but armed with a vivid imagination and his childhood memories, Pete has written seven songs based on some of the classic children stories he listened to as a young boy. He has put his unique twist to such classic tales as Sleeping Beauty, The Pied Piper of Hamelin and The Three Billy Goats Gruff, and for those of you who like fantastic instrumentation and stunning vocal performances, look no further…

Notable modern American prog-rock band Glass Hammer have decided to mark time in-between their grander symphonic works with `Untold Tales', their second collection of rarities after the little-known `The Compilations' collection from 2006. Covering 1993 through to now, it contains several instrumental sketches, a recent live adaption, all-new exclusive pieces, contributions to various-artist sets and a couple of covers, and it makes for a lovely stop-gap release that will especially hold great appeal to long term fans of the band…

This title was initially issued in 1976 as a two-LP compilation of the Canterbury progressive rockers' output between the years 1970 and 1974. Additionally, as a "value for money" enticement for those who had already purchased Caravan's back catalog, the set also included a previously vaulted live version of "For Richard" taken from the band's U.S. tour warmup gig on September 1, 1974, at the Fairfield Halls in Croydon, U.K. Fast-forward nearly two decades to the advent and subsequent proliferation of the extended and sonically superior compact disc medium. In those early days, the band was haphazardly represented by only a few difficult-to-locate and sonically disappointing European best-of titles that not only poorly characterized the band's work, but in a few cases were actually mastered from vinyl…