Yes Union Vinyl hr

I enjoy this collection a bit more than the first hits collection. He was definitely growing into the best singer around.

Unlike many similar bands, the Vinyl Kings are at least upfront about what they're trying to accomplish. This seven-piece band is unapologetically obsessed with the pop music of the era roughly between 1963 and 1971, and their second album is a hodgepodge of lifts from the Beatles, the Beach Boys, and all the rest. (There's also a strong resemblance to classic-era Electric Light Orchestra in spots, mostly because Jeff Lynne himself was so enamored of the same pop music era.)

Paul McCartney - Снова В СССР aka Paul McCartney - Back In The USSR
FLAC | Artwork | 24Bit 96kHz: 0,99 GB | 16Bit 44.1kHz: 313 MB
Cat#: Melodia A60 00415 006 | Country/Year: USSR 1989
Genre: Rock, Rock'n'Roll, Pop | Hoster: FS + HF/FF/Oron

Снова в СССР (Russian transliteration Snova v SSSR; English: Back in the USSR or The Russian Album) is the 7th studio album by Paul McCartney originally released in 1988 exclusively in the Soviet Union. The album consists entirely of covers, mainly of rock 'n roll oldies. With the addition of an extra track, the album was released internationally in 1991. Rhapsody (online music service) praised the album, calling it one of their favorite cover albums. wikipedia

The landmark concert from the 21 LP ‘Progeny’ Box showcases YES with their classic lineup at their peak, right after the release of Close To The Edge. "Classic Live Performance From The Close To The Edge Tour" Record Store Day 2023 exclusive release, according to their website, a quantity of 6000 copies.

Willie Nelson - Honeysuckle Rose
Vinyl Rip in 24-Bit/96-kHz | FLAC tracks | no cue | no log | Covers | MU, FS | 1.44 GB 3% recovery
1980 | Genre: Country | Label: CBS | 36752 | Double LP, US pressing
Rated 4 out of 5 star by AllMusic Guide

For much of the picture, live shows by Willie Nelson and his Family Band were recorded before audiences filled with lucky fans who had won the chance to be “extras” in radio giveaways. They were real concerts, with real audiences, filmed to be part of a road movie about a fictional artist. The recording engineer for the movie music and the soundtrack album was Bradley Hartman, who had been with Brian Ahern's Enactron Studios for a few years. He had recorded and mixed Stardust, as well as other Nelson projects during the mid-1970s.

(Barbara Schultz - Mix Magazine, 2006)