You Can Make a Puppet Now

This series looks at the many people who chose to collaborate with the Nazis. It is at times, uncomfortable viewing, but it's also totally absorbing too. It’s a simple question. “How could they have done it?” How could anyone have collaborated with the Nazis? And yet so many did. From Pierre Laval in France to Chaim Rumkowski, who ran the Jewish administration in the Lodz ghetto, from Quisling to the IRA, from the 1600 Belgians who served in the SS to the Grand Mufti of Jerusalem - all worked with the Nazis.

The Best Soul Album contains the definitive Artists & Songs of Soul. The Best hits from Sly & The Family Stone, Billy Ocean, McFadden & Whitehead, Harold Melvin & The Blue Notes, Labelle, Nina Simone, Aretha Franklin, The O’Jays and many more.

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Make a big scene bigger. Create cinematic movie titles, intros, and transitions. Start a fire or make it rain. Animate a logo or character. With After Effects CC, the industry-standard motion graphics and visual effects software, you can take any idea and make it move.

Negative Space Details with Simple Techniques for Pattern Design In Adobe Illustrator

UK box-set compiles, for the first time, all the British vocalist's single (A & B-sides), rarities, CD debuts, & 19 previously unreleased tracks. The 64-page booklet is lavishly illustrated with photographs & memorabilia from Sandie's own archive. EMI. 2004. Nothing Comes Easy Review by Bruce Eder
Four CDs and 101 songs may seem like more Sandie Shaw than most listeners would want to own, much less hear – that's what this reviewer thought, until he started going song by song through this set, and damned if there was not one song in this collection, covering her complete single A- and B-sides from 1964 through 1988, that wasn't worth hearing. Indeed, there are revelations throughout, starting with the superb sound and the use of proper first-generation masters on everything here, and the digital production to back it up with a warm, rich sound that's quietly intoxicating and seductive. The evolution of Shaw's style and approach to singing is so gradual that it catches you unaware when she shifts from one style to another – her 1980s sides may be far removed from the British Invasion sides in style, but you hardly notice the incremental moves, from being surrounded by electric rhythm guitars to accompanied by synthesized drums, and she's pretty powerful in either mode. The sound is amazingly crisp throughout, making up for a multitude of sins evident in past compilations of Shaw's work. The fourth disc is made up of rare tracks that, for a change, can be taken as simply more good music by the casual listener, as much as savored by the true fan. The accompanying booklet would also make a pretty good core for a serious hardcover book on Shaw.

UK box-set compiles, for the first time, all the British vocalist's single (A & B-sides), rarities, CD debuts, & 19 previously unreleased tracks. The 64-page booklet is lavishly illustrated with photographs & memorabilia from Sandie's own archive. EMI. 2004. Nothing Comes Easy Review by Bruce Eder Four CDs and 101 songs may seem like more Sandie Shaw than most listeners would want to own, much less hear – that's what this reviewer thought, until he started going song by song through this set, and damned if there was not one song in this collection, covering her complete single A- and B-sides from 1964 through 1988, that wasn't worth hearing. Indeed, there are revelations throughout, starting with the superb sound and the use of proper first-generation masters on everything here, and the digital production to back it up with a warm, rich sound that's quietly intoxicating and seductive.

A collection of hit tracks that wooed and wowed the charts during a specific and exciting year in Rock and Pop history. The phrase Top Of The Pops was not only a long-running music television show in the UK, but also a term that meant that a release was a certified hit!

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