Young Magazine From 7 December 2015

Serpentine, the British quintet who burst on to the scene with two critically acclaimed albums in 2010 & 2012 including the Japanese charting A Touch Of Heaven album - which received a 92% rating in Burrn! Magazine - are back with their latest release and a refined line up. Classic Rock’s legendary wordsmith Malcolm Dome says this about the band: “They appear to have perfected the knack of mixing sumptuous arrangements with enough grit to prevent them from becoming just a rehash of American ideals. Serpentine are very adept at writing songs with patient choruses and then giving these enough kick to deliver maximum impact. If they retain this standard they could be sailing very calm waters to success. At times they’re almost Journey-esque. Close to being melodic rock paradise.”

Rare 1993 UK 68-track 4-CD collection including The Specials, Madness, The Selecter, The Beat, The Bodysnatchers, Rico, Elvis Costello and many more. This 4 CD box set collects the A-side and B-side of every single released on the label. Both sides of the Dutch Concrete Jungle single plus both tracks from the free single which accompanied initial copies of More Specials are also included. The Bodysnatchers live version of 007 is the only unreleased track in the set, however it did previously appear in the film Dance Craze but failed to make it on to the films soundtrack album. Jerry Dammers was less than impressed with its release and had this to say about it: "It's real train spotters stuff with every B-side from every free single and I wasn't even consulted about it. In some ways that (The Compact 2 Tone Story) is the worst." (Uncut Magazine interview 1998).

Just over two years after releasing their debut trio album,​These Human Beings (AlfaMusic), Pericopes 1 return with an inventive and compelling sophomore release,​ Legacy​.Throughout 2015-16,​These Human Beings ​earned Pericopes 1 attention from jazz greats and international media alike. Dave Liebman described the album as “wonderful music with a very diverse repertoire, played flawlessly,” and Downbeat Magazine praised them as “exhibiting power and intention, a good indication for this young group.” The album opened doors to new international stages ​​and ​​resulted ​​in ​​five ​​tours ​​throughout​​ Europe,​​ the​​ UK​​ and​​ USA. Legacy ​finds Pericopes 1 embracing a new musical palette inspired by alternative and popular culture of the past several decades: dynamic grooves, rhythmic focus, Rhodes and electronic effects enhance clever compositional devices without distorting Pericopes 1’s acoustic sensibilities.

In 1986, Duane recorded with Art of Noise, a collaboration that brought a new twist to his 1960 best seller, "Peter Gunn." The song was a Top Ten hit around the world, ranking #1 on Rolling Stone Magazine's dance chart for six weeks that summer. As further confirmation of it's success, "Peter Gunn" won the Grammy for Best Rock Instrumental of 1986. The following year, a new album, the self-titled Duane Eddy, was released on Capitol. As a tribute to his influence and inspiration to so many young players, a crowd of unbelievable talent came along to be a part of this project. Tracks written by Paul McCartney, Jeff Lynne, and Ry Cooder were recorded. The "band" included Cooder, McCartney, George Harrison, John Fogerty, James Burton, David Lindley, Steve Cropper, and original Rebels, Larry Knechtel and Jim Horn.

Rickie Lee Jones "unplugged" – in fact, solo with an acoustic guitar or piano on all but a couple of tunes – Naked Songs is otherwise a retrospective concert album on which Jones cherry-picks songs from her five studio albums, including the hits "Chuck E.'s in Love" and "Young Blood," and others from her breakthrough debut record. The studio album arrangements always tried to support and augment Jones' idiosyncratic writing and playing style, which sounds less unusual when she is simply accompanying herself, and in many ways more effective. "Altar Boy," a previously unreleased song, strays into Leonard Cohen territory, mixing religion with eroticism.

Jazz, rocknroll, blues, music hall, guitar instrumentals, tin pan alley, rockabilly, dance band, soul, bolero, skiffle, trad, R&B, country, old-time, Broadway, doo-wop, folk, high school pop, Motown - the Beatles early influences are so wide-ranging that this series of discs could quite easily pass for an introduction to the history of twentieth century popular music…

Otis Blue/Otis Redding Sings Soul, or simply Otis Blue, released September 15, 1965 on Stax Records, is the third studio album by soul singer Otis Redding. The album mainly consists of cover songs by popular R&B and soul artists, and, bar one track, was recorded in a 24-hour period over July 9/10 1965 at the Stax Recording Studios in Memphis, Tennessee. Otis Blue was critically acclaimed upon release and became one of Redding's most successful albums; it reached #6 on the UK Albums Chart, and was his first to reach the top spot of the Billboard R&B chart. Furthermore, it produced three popular singles, all charting at least in the top 50 on both the Billboard R&B and the Billboard Hot 100 chart.