Claudio Abbado was undeniably the supreme Mahler conductor of our time. With his Lucerne Festival Orchestra he has set new standards in the field of classical music, especially in the interpretation of works by Gustav Mahler. The core of the orchestra is provided by the Mahler Chamber Orchestra, itself an élite body of players. Soloists like violinist Kolja Blacher, clarinettist Sabine Meyer, oboist Albrecht Mayer, violist Wolfram Christ, cellist Natalia Gutman, the Hagen Quartet and members of the Alban Berg Quartet to name just a few, make the Lucerne Festival Orchestra a star-studded ensemble.
The abundant concert works of Italian composer Nino Rota continue to surface in recordings, many on major labels. Doubtless this is partly because Rota carries marquee value from his association with the Godfather films, but his music, although surely a mixed bag, is often just plain fun. You can break it down into three general categories, which don't necessarily correspond to individual works but are heard in combination. First is the group of marvelously cinematic tunes that make this release of interest to the still-numerous fans of Rota's film music; the Concerto Soirée for piano and orchestra offers a generous selection.
Neeme Järvi is back conducting the Bergen Philharmonic Orchestra in the third volume in Chandos’ series devoted to the orchestral works of the Norwegian composer Johan Halvorsen. They are joined on this recording by Ragnhild Hemsing on Norway’s national instrument, the Hardanger fiddle, and by Marianne Thorsen on violin. Johan Halvorsen was a highly prominent figure in Norway’s musical life during the first decades of the twentieth century, and the works on this CD are all performed by the orchestra that he himself conducted in the 1890s.
Jonathan Nott's exceptional recordings of Gustav Mahler's symphonies are among the most impressive in the hybrid SACD format, and the 2011 release of the Symphony No. 3 in D minor follows suit. This is the longest of Mahler's symphonies, and for many years, recordings of it had been somewhat rare in the marketplace and hit or miss in execution, sometimes succeeding in conveying Mahler's mystical vision, though often succumbing to the difficulties of making such a sprawling work cohere.
Claudio Abbado was undeniably the supreme Mahler conductor of our time. With his Lucerne Festival Orchestra he has set new standards in the field of classical music, especially in the interpretation of works by Gustav Mahler. The core of the orchestra is provided by the Mahler Chamber Orchestra, itself an élite body of players. Soloists like violinist Kolja Blacher, clarinettist Sabine Meyer, oboist Albrecht Mayer, violist Wolfram Christ, cellist Natalia Gutman, the Hagen Quartet and members of the Alban Berg Quartet to name just a few, make the Lucerne Festival Orchestra a star-studded ensemble.