Zet

Zet Zillions is a single-player roguelike deckbuilder where you use your cards to make freakish combinations and explode entire planets. BIG-BADDA-BOOM!

Arthur De Greef, a piano virtuoso and composer, obtained his excellent results through analysis, reflection and hard work. Amidst all the musical turmoil at the start of the 20th century, De Greef is still composing late-Romantic, graceful and splendidly melodic music. Courage and authenticity was necessary for that. Thematically and harmonically the second pianoconcerto follows the classic form, but it also leans in the direction of the symphonic poem. De Greef clearly intended to express and develop particular emotions in this piece. This can also be seen in the poetic titles given to each movement. In De Greef's Humoresque, the accented rhythms and the repeated leaping motive are the most striking features. The motive springs between the strings to the flute and is followed by a martial theme on the horns. The lyrical middle section is an oasis of peace, with an expressive melody, fine solo passages and muted strings.

Three exceptional artists join forces for an operatic treat! Star tenor Rolando Villazón, who was just named artistic director of Salzburg Mozart week, Ildar Abdrazakov, one of the most sought-after young basses in the operatic world (Vanity Fair), who is debuting on Deutsche Grammophon with this album and the in-coming music director of the Metropolitan Opera Yannick Nézet-Séguin – a conductor full of vim and vigor – with Orchestre Métropolitain de Montréal.

After the highly acclaimed album “Destination Rachmaninov – Departure” Daniil Trifonov concludes his Rachmaninov project with a coupling of the composer’s Piano Concertos Nos. 1 & 3