R-Kive is a career-spanning box set by English veteran progressive rock band Genesis. It was released on 22 September 2014 in the UK, and on 29 September 2014 in the U.S. The set consists of three CDs that span Genesis' career. In addition, it includes tracks from solo albums and other projects from members Peter Gabriel, Steve Hackett, Tony Banks, Mike Rutherford, and Phil Collins.
Jorge Pardo is a musician who needs little introduction, his musical career and the cast of musicians with whom he has touched is simply stunning, it makes your interpretive be extraordinarily open and willing to engage in musical adventures of varying degrees. Within these adventures is his latest recording, stories of Radha and Krishna, a job that has some basis in Hindu culture (specifically the mythology of love between Radha and Krishna) but raised with bases and electronic sequences, and even scratch body; an approach where the groove and rhythm take over the role of the album from start to finish. All this cast of sounds are interspersed with two languages that Pardo knows and dominates to perfection, as a primary source flamenco and jazz.
It is with much pleasure that Glossa is able to announce the release of a further new recording featuring the marvellous vocal talents of that queen of Baroque music, Roberta Invernizzi: La bella più bella. Known for her dazzling and elegant displays in the music of the later Baroque – Handel and Vivaldi come to mind, but also her Naples-related travelogue on the recent I Viaggi di Faustina – the Milanese singer has also nurtured, across her career, the more delicate and nuanced art of the Italian song repertory from the early 17th century, a time when courtly and polyphonic expression were giving way to the “moving of the emotions” by a solo singer accompanied by a single instrument. Renato Dolcini guides us through the musical evolution of this form in his illuminating booklet essay.
Coming off his Grammy-nominated 2013 album, The World According to Andy Bey, vocalist/pianist Andy Bey delivers the equally compelling 2014 release Pages from an Imaginary Life. As with its predecessor, Pages finds the jazz iconoclast returning to his roots with a set of American Popular Song standards done in a ruminative, stripped-down style. This is Bey, alone at the piano, delving deeply into the harmony, melody, and lyrics of each song. But don't let the spare setting fool you. Bey is a master of interpretation. In his seventies at the time of recording, and having performed over the years in a variety of settings from leading his own swinging vocal trio, to working with hard bop pioneer Horace Silver, to exploring the avant-garde with Archie Shepp, Bey has aged into a jazz oracle who doesn't so much perform songs as conjure them from somewhere in the mystical ether of his psyche.