Zz+top

ZZ Top returned after an extended layoff in late 1979 with Degüello, their best album since 1973's Tres Hombres. During their time off, ZZ Top didn't change much – hell, their sound never really changed during their entire career – but it did harden, in a way. The grooves became harder, sleeker, and their off-kilter sensibility and humor began to dominate, as "Cheap Sunglasses" and "Fool for Your Stockings" illustrate. Ironically, this, their wildest album lyrically, doesn't have the unhinged rawness of their early blooze rockers, but the streamlined production makes it feel sleazier all the same, since its slickness lets the perversity slide forth. And, forget not, the trio is in fine shape here, knocking out a great set of rockers and sounding stylish all the time. Undoubtedly one of their strong suits.

Assembled from various shows from various tours from around the world, 2016's Live: Greatest Hits from Around the World is billed as ZZ Top's first "full-length live album" – a matter of dispute considering how Eagle Rock released three CD/DVD/Blu-ray combo sets between 2008 and 2014. There is no visual component to Live: Greatest Hits from Around the World, which may be how it skates around the first live album distinction – if there's no video, this is a pure album – but the record mines a similar musical vein, collecting highlights from latter-day ZZ Top tours. During the 2000s and 2010s, ZZ Top released an excellent studio album called La Futura, but that's ignored here in favor for all the songs that are classic rock staples.

With their second album, Rio Grande Mud, ZZ Top uses the sound they sketched out on their debut as a blueprint, yet they tweak it in slight but important ways. The first difference is the heavier, more powerful sound, turning the boogie guitars into a locomotive force. There are slight production flares that date this as a 1972 record, but for the most part, this is a straight-ahead, dirty blues-rock difference. Essentially like the first album, then. That's where the second difference comes in – they have a much better set of songs this time around, highlighted by the swaggering shuffle "Just Got Paid," the pile-driving boogie "Bar-B-Q," the slide guitar workout "Apologies to Pearly," and two Dusty Hill-sung numbers, "Francine" and "Chevrolet." There are still a couple of tracks that don't quite gel and their fuzz-blues still can sound a little one-dimensional at times, but Rio Grande Mud is the first flowering of ZZ Top as a great, down-n-dirty blooze rock band.

ZZ Top is an American rock band formed in 1969 in Houston, Texas. The band consists of guitarist and lead vocalist Billy Gibbons, bassist and co-lead vocalist Dusty Hill, and drummer Frank Beard. The band and its members went through several reconfigurations throughout 1969, achieving their current form when Hill replaced bassist Billy Etheridge in February 1970, shortly before the band was signed to London Records…

With their second album, Rio Grande Mud, ZZ Top uses the sound they sketched out on their debut as a blueprint, yet they tweak it in slight but important ways. The first difference is the heavier, more powerful sound, turning the boogie guitars into a locomotive force. There are slight production flares that date this as a 1972 record, but for the most part, this is a straight-ahead, dirty blues-rock difference. Essentially like the first album, then. That's where the second difference comes in – they have a much better set of songs this time around, highlighted by the swaggering shuffle "Just Got Paid," the pile-driving boogie "Bar-B-Q," the slide guitar workout "Apologies to Pearly," and two Dusty Hill-sung numbers, "Francine" and "Chevrolet." There are still a couple of tracks that don't quite gel and their fuzz-blues still can sound a little one-dimensional at times, but Rio Grande Mud is the first flowering of ZZ Top as a great, down-n-dirty blooze rock band.

Fandango! is the fourth album by the American blues rock band ZZ Top, released in 1975. Half the tracks are selections from live shows, the rest are new songs from the studio. Fandango, from which the album gets its name, is a type of dance similar to flamenco. In the late 1980s a digitally remixed version of the recording was released on CD and the original 1975 mix version was discontinued. The remix version created controversy among fans because it significantly changed the sound of the instruments, especially drums. The remix version was used on all early CD copies and was the only version available for over 20 years. A remastered and expanded edition of the album was released on February 28, 2006, containing three bonus live tracks. The 2006 edition is the first CD version to use Terry Manning's original 1975 mix.

The continuation of Eliminator's synthesized blues boogie made sense on Afterburner, since it arrived two years after its predecessor. ZZ Top's choice to pursue that direction on Recycler is puzzling, since a full five years separates this from Afterburner. It's not just that they continue to follow this path; it's that they embalm it, creating a record that may be marginally ballsier than its predecessor, but lacking the sense of goofy fun and warped ambition that made Afterburner fascinating. Here, there's just a steady, relentless beat (Frank Beard is still chained to the sequencer, as he has been for a decade), topped off by processed guitars turning out licks that fall short of being true riffs.

El Loco is the seventh studio album by the American rock band ZZ Top, released in 1981. The title means "The Crazy One" in Spanish. The band's guitarist/singer Billy Gibbons has said that the recording of this album was the first time the three members of the band were isolated from one another in the studio, rather than recording simultaneously in the same room. It also foreshadowed ZZ Top's synthesizer-driven direction later in the decade, with early experimentations in synthesizer backing on certain tracks.

Tres Hombres is the record that brought ZZ Top their first Top Ten record, making them stars in the process. It couldn't have happened to a better record. ZZ Top finally got their low-down, cheerfully sleazy blooze-n-boogie right on this, their third album…