The Turtles are an American pop and folk rock band led by vocalists Howard Kaylan and Mark Volman, who became notable for numerous Top 40 hits beginning with their cover version of Bob Dylan's "It Ain't Me Babe" (1965), and "Happy Together" (1967). The band, originally a surf-rock group called the Crossfires from the Planet Mars, was formed in 1965 in Westchester, California (a neighborhood of Los Angeles' west side) by Howard Kaylan and Mark Volman. With the help of DJ and club owner Reb Foster, the Crossfires signed to White Whale Records and, adhering to the prevailing musical trend, re-branded themselves as a folk rock group called "The Tyrtles", the intentional misspelling inspired by The Byrds. more .. Wikipedia
Most popular to theater audiences from his title role in Andrew Lloyd Webber's version of The Phantom of the Opera, Michael Crawford was in fact a star of the British stage and screen for almost two decades before that. Born in Wiltshire, England, in 1942, he began singing in the school choir and, while still a teenager, changed his name from Dumble-Smith to the more charismatic Crawford and began working in radio, television, and film. After first stepping on the London stage in the early '60s, Crawford's first regular television series was the BBC's 1960s show Not So Much a Programme, More a Way of Life; he appeared in several films as well (The War Lover, A Funny Thing Happened on the Way to the Forum, and a starring turn in How I Won the War, which also featured John Lennon).
It is impossible to compile a single-disc greatest-hits compilation for Cat Stevens that will come close to satisfying all of his admirers. The Very Best of Cat Stevens is the fifth major attempt to do so and, like its predecessors, it is challenged by its subject's success. Remember Cat Stevens: The Ultimate Collection is the longest of the five (24 tracks) and may be the most comprehensive. But The Very Best of Cat Stevens, released just a year later, has several advantages that make it more appealing. To begin with, it is the only compilation to sequence chronologically songs from every one of Stevens' albums, including the experimental Foreigner.
Coinciding with the 35th anniversary of Denver's first album release on RCA, this two-disc, 25-track overview of the country-pop singer's storied career is the most concise and nuanced yet. Digitally remastered from the original master tapes, road-trip classics like "Take Me Home, Country Roads," "Rocky Mountain High," and "Back Home Again" are as warm as the singer's lauded tenor. There are no gimmicky re-recorded cuts or disappointing live tracks – "Thank God I'm a Country Boy" spent its time on the charts in its live incarnation – and his spotty '80s material is only briefly covered ("Perhaps Love" and "Shanghai Breezes"). For those unwilling to sift through the exhaustive four-CD Country Roads Collection, Song's Best Friend: The Very Best of John Denver is a good buy and a rewarding visit with an old friend.
When English soprano Emma Kirkby began her professional career in the mid-'70s, period performance practice was just beginning to make its way into the realm of vocal music. Kirkby, mentored by Jessica Cash, became a pioneer of period practice for Renaissance and Baroque vocal soloists. She studied classical literature at Oxford and took vocal lessons, but did not plan on becoming a singer. She joined the Taverner Choir in 1971, and a couple of years later, she began a long-lasting collaboration with the Consort of Musicke.[ [/quote]
The various releases of The Very Best of the Doors during 2001 and 2007 in the U.S. and the U.K. are very similar, both in their single-disc and double-disc permutations – as well as a limited edition that adds a DVD to the two-CD version – so it's very easy to get all three compilations confused…
As one of the most highly acclaimed series in the history of MTV, Unplugged afforded the opportunity for some of commercial music's most praised entertainers (as well as those musicians with a bit more artistic merit) to spotlight their hit songs in a different context.