ZZ Top Recycler

The continuation of Eliminator's synthesized blues boogie made sense on Afterburner, since it arrived two years after its predecessor. ZZ Top's choice to pursue that direction on Recycler is puzzling, since a full five years separates this from Afterburner. It's not just that they continue to follow this path; it's that they embalm it, creating a record that may be marginally ballsier than its predecessor, but lacking the sense of goofy fun and warped ambition that made Afterburner fascinating. Here, there's just a steady, relentless beat (Frank Beard is still chained to the sequencer, as he has been for a decade), topped off by processed guitars turning out licks that fall short of being true riffs.

ZZ Top's First Album may not be perfectly polished, but it does establish their sound, attitude, and quirks. Simply put, it's a dirty little blues-rock record, filled with fuzzy guitars, barrelhouse rhythms, dirty jokes, and Texan slang…

Warner's 2013 box set The Complete Studio Albums 1970-1990 rounds up the ten albums ZZ Top recorded for Warner Bros over the course of 20 years: 1971's ZZ Top's First Album, 1972's Rio Grande Mud, 1973's Tres Hombres, 1975's Fandango!, 1976's Tejas, 1979's Deguello, 1981's El Loco, 1983's Eliminator, 1985's Afterburner, and 1990's Recycler…