ZZ Top

Blessed with their first full-fledged hit album, ZZ Top followed it up with Fandango!, a record split between a side of live tracks and a side of new studio cuts. In a way, this might have made sense, since they were a kick-ass live band, and they do sound good here, but it's hard not to see this as a bit of a wasted opportunity in retrospect…

With an unchanged line-up stretching back to 1969 and global album sales in excess of 50 million, ZZ Top continue to delight fans around the world with brilliant live concerts and great music. The band has made a number of visits to Montreux over the years and this concert from the 2013 Festival is undoubtedly one of their finest live performances…

Following 2004's Rancho Texicano: The Very Best of ZZ Top by a decade, The Very Baddest of ZZ Top comes in two different styles: a single-disc compilation with 20 tracks and a set that doubles it. The single disc is good, racking up most of the MTV-era hits – "Gimme All Your Lovin," "Sharp Dressed Man," "Legs," "Got Me Under Pressure," "Rough Boy," "Velcro Fly" – while doubling back for "La Grange, "Tush," "I Thank You," "Waitin' for the Bus," "Jesus Just Left Chicago," "I'm Bad, I'm Nationwide," and "Cheap Sunglasses."…

Since Rhino released an exhaustive four-disc ZZ Top box in October 2003, some may question the appearance of a double-disc retrospective in June 2004, a mere eight months after the box set. The two may be released awfully close to each other, but they do play to different audiences – in other words, there are a bunch of fans who want all the hits, but not a full box set, and that's what the 38-track Rancho Texicano: The Very Best of ZZ Top delivers…

ZZ Top is an American rock band formed in 1969 in Houston, Texas. The band consists of guitarist and lead vocalist Billy Gibbons, bassist and co-lead vocalist Dusty Hill, and drummer Frank Beard. The band and its members went through several reconfigurations throughout 1969, achieving their current form when Hill replaced bassist Billy Etheridge in February 1970, shortly before the band was signed to London Records…

Well, if you just had your biggest hit ever, you'd probably try to replicate it, too. And if you were praised for being visionary because you played all your blues grooves to a slightly sequenced beat, you'd probably be tempted to not just continue in that direction, but to tighten the sequencer and graft on synthesizers, since it'll all signal how futuristic you are…