Zoot+sims

Jutta Hipp was often compared with male pianists like Lennie Tristano and Horace Silver. Sometimes those references were pejorative, as if she possessed no worthwhile original sensibilities. Perhaps the best recommendation came from Charles Mingus, who befriended the German-born painter/pianist and held her in the highest esteem. Heard in the company of Zoot Sims, Hipp sounds at times somewhat similar to Mingus when he chose to express himself at the piano. But that again is a comparison with a male musician! ~ AllMusic

During a 30-year period the very complementary tenors Zoot Sims and Al Cohn teamed up on an irregular but always consistently satisfying basis. This club date from Stockholm, one of their final joint recordings, features the pair backed by pianist Claes Croona, bassist Palle Danielsson and drummer Petur Ostlund. Both Zoot and Cohn sound quite inspired and they really push each other on "Exactly like You," "After You've Gone" (which features Sims on soprano) and even a surprisingly heated version of "The Girl from Ipanema." Al Cohn's tone had deepened during the years and, although they sounded nearly identical in the 1950s, it is quite easy to tell the two tenors apart during this encounter. The CD (available through the Swedish Sonet label) is highly recommended for fans of the saxophonists and for bop collectors in general.

Benny Carter provided the arrangements for the 16-piece band that accompanies the great tenor Zoot Sims on this set of Duke Ellington songs. The album is highlighted by "In a Mellow Tone," "I Got It Bad," "Passion Flower" and "Bojangles," but all nine selections are enjoyable and Sims is in top form. In fact it can easily be argued that Zoot Sims never made an indifferent or unswinging album, so it is not much of a surprise that this date is quite successful and should greatly appeal to straightahead jazz fans.

Just two years and three days away from his death at age 59, the great tenor Zoot Sims is heard in prime form on this live session from San Francisco's legendary club Keystone Korner. The music was not initially released until this 1994 CD but it was worth the wait. The hard-swinging tenor (who plays equally effective soprano on Duke Ellington's "Tonight I Shall Sleep" and "Pennies from Heaven") is ably supported by the fine pianist Frank Collett, bassist Monty Budwig and drummer Shelly Manne. Sims plays his usual repertoire from the period (including "I Hear a Rhapsody," "If You Could See Me Now" and "Dream Dancing") but, although he had previously recorded virtually all of these selections, the "new" versions are well worth hearing. This late date gives one a definitive look into Zoot Sims's playing of his last decade, when he interpreted standards in a timeless style that had grown but not really changed since the 1950s.

Al Cohn & Zoot Sims - From A to Z and Beyond (1956) {RCA-Jazz Heritage 512983L rel 1991}
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© 1956, 1991 RCA / Bluebird / Jazz Heritage | 512983L
Jazz / Cool / Bop / Saxophone

The very complementary tenors Al Cohn and Zoot Sims (whose similar styles often made them sound almost identical) teamed up many times through the years; this reissue brings back their first joint recording. Joined by either Dave McKenna or Hank Jones on piano, bassist Milt Hinton, drummer Osie Johnson, and (on some selections) the forgotten trumpeter Dick Sherman, Al and Zoot avoid obvious material ("Somebody Loves Me" and "East of the Sun" are the only standards) in favor of swinging "modern" originals by Cohn, Sherman, Osie Johnson, Ralph Burns, Manny Albam, Ernie Wilkins, and Milty Gold. Zoot contributed "Tenor for Two Please, Jack," his answer to the song "Dinner for One Please, James." [Some releases add four alternate takes to the original 12-song program, giving one a good example of the occasional Cohn-Sims musical partnership.]

The music on this LP recalls the airy "Four Brothers" sound that tenor saxophonists Stan Getz, Zoot Sims and Herbie Steward, and baritone saxophonist Serge Charloff, plied in Woody Herman's band of 1947. For this outing, Steward and Charloff exit, and four become five with the addition of tenor luminaries Al Cohn, Brew Moore, and Allen Eager. The set appropriately kicks off with Gerry Mulligan's "Five Brothers," a tune reminiscent of Jimmy Giuffre's original "Four Brothers" in its fluid and bouncy arrangement. Three other attractive and similarly disposed originals (one more by Mulligan and two by Cohn) complete the saxophone session from 1949, all featuring swinging statements by each soloist. A 1952 sextet date led by Sims and Cohn is also included, offering up another round of original and buoyantly swinging cuts, bolstered by lively contributions from trombonist Kai Winding and solid rhythmic support by pianist George Wallington, bassist Percy Heath, and drummer Art Blakey. A fine release that nicely showcases the cool, proto-West Coast bop forged by both these soloists and Miles Davis.

Sonny Stitt & Zoot Sims - Complete Recordings (1965) {Lone Hill Jazz LHJ10328 rel 2008}
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© 1965, 2008 Cadet / Colpix / Lone Hill Jazz / LHJ 10328
Jazz / Soul Jazz / Hard Bop / Saxophone

A surprisingly great pairing - Sonny Stitt and Zoot Sims - heard here on 2 albums recorded in early 1965! "Inter-Action" begins the CD - a nice little set by Stitt and Sims - recorded in Chicago. "Broadway Soul" is an obscure album of Broadway tunes played jazz-wise from Sonny Stitt. Features a great set of players that include Zoot Sims, Jerome Richardson, Budd Johnson, Phil Woods, Walter Bishop Jr, Thad Jones and Osie Johnson.

Count Basie & Zoot Sims - Basie & Zoot (1975) {Pablo OJCCD-822-2 rel 1994}
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© 1975, 1994 Pablo Records / Fantasy | OJCCD-822-2 / 00025218682220
Jazz / Bop / Mainstream Jazz / Piano / Saxophone

This is a classic encounter in the Original Jazz Classics series. Pianist Count Basie (in his best-small group outing of the 1970s) and tenor saxophonist Zoot Sims were mutually inspired by each other's presence and, with the tasteful assistance of bassist John Heard and drummer Louie Bellson, they can be heard playing at the peak of their creative powers. Every listener interested in swinging jazz should pick up this disc, if only to hear these hard-charging versions of "I Never Knew," "It's Only a Paper Moon," and "Honeysuckle Rose." A gem, and essential music.