Zoot Sims It Had To Be You

Zoot Sims - That Old Feeling (2005) {4CD Set Quadromania--Membran 222478-444 rec 1944-1956}

Zoot Sims - That Old Feeling (2005) {4CD Set Quadromania–Membran 222478-444 rec 1944-1956}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.09 Gb | MP3 @320 -> 557 Mb
Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1944-56, 2005 Quadromania / Membran Music | 222478-444
Jazz / Bop / Bebop / Cool / Saxophone

New Design Jewel box. Case slightly wider than normal album case, but contains 4 CD! Using 24 Bit - 96 khz - High End Digital Mastering. The result is a warm and more analog sound than you've ever heard before on a CD. This 4 CD package offers nearly 4 hours of music and covers the period 1944 to 1956 in date order. Recording info is given accept where I specify.

Zoot Sims - 12 Classic Albums 1956-1962 (6CD Box Set, 2015)  Music

Posted by Discograf_man at Oct. 30, 2019
Zoot Sims - 12 Classic Albums 1956-1962 (6CD Box Set, 2015)

Zoot Sims - 12 Classic Albums 1956-1962 (6CD Box Set, 2015)
EAC Rip | FLAC (*image+.cue) | Run Time: 07:30:29 | 2,15 Gb | Artwork 50.21 Mb
Genre: Mainstream jazz, Cool, Bop | Label: Enlightenment

John Haley "Zoot" Sims (October 29, 1925 - March 23, 1985) was an American jazz saxophonist, playing mainly tenor and soprano. He was born in Inglewood, California, the son of vaudeville performers Kate Haley and John Sims, and grew up in a performing family. Sims learned to play both drums and clarinet at an early age. His father was a vaudeville hoofer and Sims prided himself on remembering many of the steps he taught him. Sims acquired the nickname "Zoot" early in his career while he was in the Kenny Baker band in California.
Zoot Sims Quartet - Jazz Classic (Remastered) (2025) [Official Digital Download]

Zoot Sims Quartet - Jazz Classic (Remastered) (2025) [Official Digital Download]
FLAC (tracks) 24-bit/44.1 kHz | Front Cover | Time - 01:16:06 minutes | 380 MB
Jazz | Studio Master, Official Digital Download

John Haley "Zoot" Sims (October 29, 1925 – March 23, 1985) was an American jazz saxophonist, playing mainly tenor but also alto (and, later, soprano) saxophone.
Scott Hamilton & Bucky Pizzarelli - The Red Door ...remember Zoot Sims (1998) {Concord Jazz CCD-4799-2 rec 1995}

Scott Hamilton & Bucky Pizzarelli - The Red Door …remember Zoot Sims (1998) {Concord Jazz CCD-4799-2 rec 1995}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 232 Mb | MP3 @320 -> 137 Mb
Full Artwork @ 300 dpi (jpg) -> 18 Mb | 5% repair rar
© 1998 Concord Jazz | CCD-4799-2
Jazz / Mainstream Jazz / Saxophone / Guitar

As of 1998, when this CD was released, Scott Hamilton had recorded over 30 albums as a leader for Concord. Although all are quite worthwhile, the swing tenor's consistency and unchanged style since the 1970s have resulted in a certain sameness and predictability to his recordings. This release, however, definitely stands apart from the crowd, for it is a set of tenor/guitar duets that Hamilton performs with Bucky Pizzarelli. A tribute to Zoot Sims (one of Hamilton's early influences), this is a very successful outing. Pizzarelli's mastery of the seven-string guitar allows him to play basslines behind solos, so one never misses the other instruments.
Chuck Wayne, Brew Moore, Zoot Sims - Tasty Pudding (1956) [Reissue 1994]

Chuck Wayne, Brew Moore, Zoot Sims - Tasty Pudding (1956) [Reissue 1994]
EAC Rip | APE (image+.cue+log) - 123 MB | MP3 CBR 320 kbps (LAME 3.93) - 87 MB | Covers (5 MB) included
Genre: Jazz | RAR 3% Rec. | Label: Savoy Jazz (SV-0253)

Chuck Wayne's participation in some of the earliest bebop recordings have lead many to conclude that he was purely a bop-style guitar player. Yet on the recordings he made in the mid-1940s, first with the Billy Eckstine Band and later with Dizzy Gillespie, his swing-oriented guitar collides with the "new music" being played by the more modern musicians on the set. It was with George Shearing that Wayne had his greatest success, making a major contribution to the Shearing sound. This particular album reissues two sets cut by Wayne during the 1950s…
Various Artists - From Middle Jazz To Be-Bop (1952-1955) - La Grande Histoire Du Jazz Vol. 2 (2010) {Box 25CD - 50 of 100}

Various Artists - From Middle Jazz To Be-Bop (1952-1955) - La Grande Histoire Du Jazz Vol. 2 (2010) {Box 25CD - 50 of 100}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 10.8 Gb | MP3 @320 -> 5.07 Gb
Full Artwork @ 300 dpi (png) -> 783 Mb | 5% repair rar
© 1952-55, 2010 Le Chant du Monde | 574 1925.49
Jazz / Classic Jazz / Middle Jazz / Be-Bop

An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.

VA-Best Jazz 100 - 6CD (2006)  Music

Posted by doubidouwa at Oct. 3, 2006
VA-Best Jazz 100 - 6CD (2006)

VA-Best Jazz 100 - 6CD (2006)
Jazz | MP3 >192 kpbs vbr | 489 MB
Artie Shaw - Self Portrait (2001) {5CD Box Set Bluebird 09026 63808 2 rec 1936-1954}

Artie Shaw - Self Portrait (2001) {5CD Box Set Bluebird 09026 63808 2 rec 1936-1954}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.64 Gb | MP3 @320 -> 835 Mb
Full Artwork @ 600 dpi (jpg) -> 247 Mb | 5% repair rar
© 1936-54, 2001 Bluebird / BMG | 09026 63808 2
Jazz / Bop / Swing / Big Band / Sweet Bands / Clarinet

As a rule, record companies don't give artists the chance to pick the songs when a boxed set is assembled. They might ask the person who writes the liner notes to interview the artist, or they might even have the artist write the liner notes. But the label, not the artist, usually chooses the material. Self Portrait is an exception; when this five-CD, 95-track boxed set was assembled in 2001, a 91-year-old Artie Shaw was given a rare chance to make the selections himself and comment on them. And for those who are seriously into the clarinetist, it is fascinating to see what he chooses. Self Portrait, which spans 1936-1954, contains most of his essential swing, era hits, including "Stardust," "Begin the Beguine," "Frenesi," and his ominous signature tune, "Nightmare."
Zoot Sims - Zoot Sims And The Gershwin Brothers (1975) {OJC Remasters Complete Series rel 2013, item 33of33}

Zoot Sims - Zoot Sims And The Gershwin Brothers (1975) {OJC Remasters Complete Series rel 2013, item 33of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 357 Mb | MP3 @320 -> 139 Mb
Full Artwork @ 600 dpi (png) -> 180 Mb | 5% repair rar | 24-bit remaster
© 1975, 2013 Pablo / Concord | 40th Anniversary of Pablo Records | 0888072346239
Jazz / Bop / Cool / Saxophone

Concord Music Group will release five new titles in its Original Jazz Classics Remasters series on September 17, 2013. Enhanced by 24-bit remastering by Joe Tarantino, bonus tracks (some previously unreleased), and new liner notes to provide historical context to the originally released material, the series celebrates the 40th anniversary of Pablo Records, the prolific Beverly Hills-based label that showcased some of the most influential jazz artists and recordings of the 1970s and '80s.
Zoot Sims - Baden Baden '58 Lost Tapes (Remastered) (2018) [Official Digital Download 24/192]

Zoot Sims - Baden Baden '58 Lost Tapes (Remastered) (2018)
FLAC (tracks) 24-bit/192 kHz | Time - 43:11 minutes | 1.71 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

In 1958 Sims played with Benny Goodman at Expo ‘58 in Brussels, where he met the Viennese-born Hans Koller, then Europe’s coolest tenor sax.. Two years earlier Sims had made a Blue Note recording with the German pianist Jutta Hipp and he was keen to meet other European jazz musicians. So Jo Berendt, head of the jazz department at the then SWF, invited the two to a studio concert, supplementing the horn section with Adi Feuerstein and Gerd Husemann (fl , ts), Willie Dennis (tb) and Helmut Brandt (bs).; The ensemble also featured Hans Hammerschmid on piano, Peter Trunk on bass and on drums Kenny Clarke, who had quit the Modern Jazz Quartet and moved to Paris.