Stojowski was born and brought up in Poland though he later lived in Paris and finally became an American citizen. He was both virtuoso pianist and serious composer (he wrote a symphony and violin concerto as well as music for his own instrument) and his initial career was full of promise. Unfortunately for his later reputation his style was that of a previous generation and in the 20th century his music was viewed as increasingly dated. One hundred years later this hardly matters and on this CD we find works steeped in the language of Tchaikovsky and Grieg, perhaps with a hint of Saint-Saëns and the almost sentimental lyricism of Paderewski (ten years Stojowski's senior, Paderewski was both teacher and friend to the younger composer, the second concerto was dedicated to, and played by him).
This long awaited album was released by DUX and features two piano concertos by the outstanding Polish post-Romantic Zygmunt Stojowski, a student and friend of Ignacy Jan Paderewski. It is our great pleasure to be able to remind listeners once again of such a valuable repertoire. We are certain that this new album will bring them much joy and satisfaction!
Legendary Brazilian pianist Nelson Freire celebrates his 75th birthday with a new album, a delightful collection of personal piano favourites. The new record, ‘Encores’, contains 30 tracks ranging from Purcell to Rachmaninov; Scarlatti to Shostakovich and 12 of Grieg’s Lyric Pieces. It also includes such treasures as the Sgambati Mélodie de Gluck, Paderewski’s Nocturne and Albéniz’s Navarra. An exclusive Decca artist since 2002, Nelson Freire won the 2006 Gramophone Recording of the Year and the Latin Grammy for Best Classical Album in 2013.
Few listeners know much, if anything, about Zygmunt Noskowski (1846–1909), even though Szymanowski featured among his distinguished students and Moniuszko among his renowned teachers. And yet, for most of the 19th century, Noskowski was the primary exponent of modern symphonic music in Poland. As a conductor and concert organiser, he himself championed the causes of forgotten Polish composers. Now it's the turn of Antoni Wit, who succeeded Noskowski at the helm of the Warsaw Philharmonic 94 years after his retirement, to raise the profile of his late-romantic colleague, having similarly promoted the music of Zygmunt Stojowski on a previous Capriccio recording (C5464).