A lengthy tone poem based on the L. Ron Hubbard story THE ULTIMATE ADVENTURE, Chick Corea's album of the same name is an evocative excursion into jazz fusion. With the help of old friends and cohorts (Airto Moreira, Steve Gadd) and the members of his new band, Touchstone, Corea has created a sound narrative that is as enticing and image-filled as its literary inspiration.
Hubert Laws's sinuous flute and the use of palmas and auxiliary percussion give ULTIMATE ADVENTURE an exotic, Middle Eastern sound, with wisp-like phrases of melody floating above a simmering bed of rhythm. Corea's keys playing is as adventurous as ever, veering between classically-infused flourishes, hard rhythmic comping, and deliciously abstract melodies.
If you’re a fan of the alternative ’80s UK goth or post-punk scene, prick up your ears because this deserves your attention…
For the second time in two years, Chick Corea has assembled a band to give aural illustration to the fantasy writings of L. Ron Hubbard. For those who have trouble with Hubbard and his teachings, this may be a red flag to avoid the record altogether. The Ultimate Adventure is a tale that draws on characters from the Arabian Nights - there is an ad for the book in the back of the CD booklet. With that out of the way, one has to deal with the music entirely on its own terms. Corea has spent decades playing both electric and acoustic jazz. This is the first time since 1976's My Spanish Heart that he has woven his love of both so completely into a single album. There are more than a few echoes here that call upon the ghosts of the earliest Return to Forever band - primarily in the gorgeous flute playing of Hubert Laws and Jorge Pardo, in the saxophone artistry of Tim Garland, the drumming of Steve Gadd…
For the second time in two years, Chick Corea has assembled a band to give aural illustration to the fantasy writings of L. Ron Hubbard. For those who have trouble with Hubbard and his teachings, this may be a red flag to avoid the record altogether. The Ultimate Adventure is a tale that draws on characters from the Arabian Nights - there is an ad for the book in the back of the CD booklet. With that out of the way, one has to deal with the music entirely on its own terms. Corea has spent decades playing both electric and acoustic jazz. This is the first time since 1976's My Spanish Heart that he has woven his love of both so completely into a single album. There are more than a few echoes here that call upon the ghosts of the earliest Return to Forever band - primarily in the gorgeous flute playing of Hubert Laws and Jorge Pardo, in the saxophone artistry of Tim Garland, the drumming of Steve Gadd…