Aaron Lordson

Lee Aaron is on a roll. The award winning, songwriter, producer and Canadian vocalist blazed back onto the rock scene in 2016 (after a ten year hiatus to raise her family) with a wealth of original material and more firecracker energy than artists half her age. She's since produced 6 new releases, including a 'live' CD/DVD, with ELEVATE being the latest and possibly coolest addition to this renewed chapter in her illustrious career. ELEVATE was written during the Covid lockdown, but rather than allowing that isolation to push the band into a negative place, Lee booked a studio lockout for the fall of 2021. "I'd witnessed so many friends and colleagues become depressed and lose their focus. We couldn't properly tour our last album (Radio On! 2021) and the downtime seemed like it would never end, so we decided to book studio time before the songs were even written.

Originally a member of electronica duo clickits, John McCaffrey moved from Accrington in the north west of England to Melbourne, Australia and started a solo project as Part Timer. Concentrating on a mixture of delicate folk flavours and electronic augmentation, Part Timer has released albums on moteer, flau and lost tribe sound. Collaborations with multi-instrumentalist Aaron Martin have been released on mobeer and under the spire. McCaffrey has also released music under the names Scissors and Sellotape (on cotton goods) and Upward Arrows (on under the spire)…

Aaron Cassidy is a composer and conductor with a growing international reputation and his works have been performed by leading contemporary music specialists. He joined the composition faculty of the University of Huddersfield in 2007 and is coordinator of the MA in New Music. This collection also includes Three Studies for Figures at the Base of a Crucifixion and other works.

Aaron Neville's Soulful Christmas is at once familiar yet progressive, traditional, prayerful, heartfelt, fun, and sexy. Neville lends his angelic voice to timeless holiday standards, resulting in one of the more compelling American holiday albums of the 1990s. Neville's treatment of classics such as "O Holy Night," "Silent Night," and "O Little Town of Bethlehem" is absolutely stirring, and he infuses these lullabies with so much warmth and sincerity that they can even touch the hardest, most cynical audiences. Neville also covers more contemporary tunes, such as "Please Come Home for Christmas," and augments his warm renditions of "The Christmas Song" and "White Christmas" with classic pop arrangements, filled with lush strings, piano, and even saxophone.