Greatest Hits (The Abbey Road Session) is a live-in-studio album by the band Therapy?. It was released by Marshall Records on 13 March 2020.[1] The 12 tracks, all re-recordings of UK Top 40 singles originally released between 1992 and 1998, were recorded on 8 November 2019 at Abbey Road Studios, London, England. The album was released on black vinyl, translucent green vinyl and double CD. While initial pre-order physical copies carried the "Abbey Road" subtitle, following an issue raised by the studio over naming rights, re-pressings and all digital copies were retitled Greatest Hits (2020 Versions). The second part of the double CD release, entitled Official Bootleg 1990-2020, features 15 live songs (one to represent each studio album in the band's discography) recorded between 1990 and 2018, compiled from the band's personal archives.
Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It’s hard not to interpret “And in the end / the love you take / is equal to the love you make” as a summation not only of Abbey Road but perhaps of the group’s entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.
Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It's hard not to interpret "And in the end/the love you take/is equal to the love you make" as a summation not only of Abbey Road but perhaps of the group's entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.
Conventional wisdom holds that the Beatles intended Abbey Road as a grand farewell, a suspicion seemingly confirmed by the elegiac note Paul McCartney strikes at the conclusion of its closing suite. It's hard not to interpret "And in the end/the love you take/is equal to the love you make" as a summation not only of Abbey Road but perhaps of the group's entire career, a lovely final sentiment. The truth is perhaps a bit messier than this. The Beatles had tentative plans to move forward after the September 1969 release of Abbey Road, plans that quickly fell apart at the dawn of the new decade, and while the existence of that goal calls into question the intentionality of the album as a finale, it changes not a thing about what a remarkable goodbye the record is.
The last Beatles album to be recorded (although Let It Be was the last to be released), Abbey Road was a fitting swan song for the group, echoing some of the faux-conceptual forms of Sgt. Pepper, but featuring stronger compositions and more rock-oriented ensemble work…
Amazing as it may seem, until the release of this CD, there had never been a proper British or European anthology on Billy J. Kramer & the Dakotas, apart from one stripped-down budget release (Story) issued by way of Holland. This 28-song CD doesn't have everything that was on that disc, but it does have most of it, and features excellent sound…
The last Beatles album to be recorded (although Let It Be was the last to be released), Abbey Road was a fitting swan song for the group, echoing some of the faux-conceptual forms of Sgt. Pepper, but featuring stronger compositions and more rock-oriented ensemble work…