This 50-CD collection of analogue albums aims to represent the heyday of Philips’ passion for great natural sound – the Stereo Years. There was a firm belief within the label’s team that recording technique was there to serve the music - the Musicians had their own views about how any given piece should be interpreted and how it should sound; the recording team’s job was to grasp that vision and make it a reality. This recording philosophy, combined with great artistry and visionary repertoire policy, created a special chapter in the history of classical music recordings that still inspires artists, sound engineers and collectors alike.
From 1957 to 1959, the Los Angeles label Ebb Records released around 60 singles. Only one became a national hit, although there were several regional successes. The label, however, recorded a fascinating cross-section of the music of the day and The Ebb Story tells the tale.Formed by Leonora "Lee" Rupe, with the money she received as a divorce settlement from her ex-husband Art Rupe (head of Specialty Records), and Jesse J Jones, an arranger and horn player, Ebb kicked off with The Ebbtones' Danny's Blues and worked their way through the New Orleans R&B of Professor Longhairs' Look What You're Doing To Me, the soulful blues of Ted Taylor, the down-home Texan blues guitar and voice of Smokey Hogg, the supper-club blues stylings of Floyd Dixon, the rockabilly of Kip Tyler, the chameleon vocals of Dolly Cooper and the classic hit R&B of the Hollywood Flames with Buzz, Buzz, Buzz (a version of which a young Bob Dylan performs on his forthcoming CD-ROM disc release).