Mathias Rosmann creates in his solo project Sleeping Pandora majestic soundscapes with his spacelicious guitar playing. Let your mind be flooded with beautiful colors and hypnotic frequencies will appear in various shapes of multiple dimensions.
The first disc, aptly subtitled The Very Best of Glenn Frey, is chock-full of major chart hits, including the Beverly Hills Copsmash "The Heat Is On," the gritty, slide-guitar-driven gutbucket groove of "Smuggler's Blues," the epic Miami Viceballad "You Belong to the City," the inward-looking poignancy of "Soul Searchin'," and much more…
Esoteric Recordings’ REACTIVE label is proud to announce the release of the third volume of an official bootleg series by the legendary TANGERINE DREAM. Formed in Berlin in September 1967 by Edgar Froese, Tangerine Dream are simply one of the most important groups to have emerged on the German music scene of the late 1960s / early 1970s. Always guided by the genius of Edgar Froese, Tangerine Dream developed a sound based on the use of synthesisers and keyboards, first revealed on their marvellous “Alpha Centuari” album in 1971.
The most popular and successful lineup of Return to Forever – Chick Corea, Stanley Clarke, Lenny White, and Al Di Meola – was coming off the Grammy-winning No Mystery when it recorded its third and final album, Romantic Warrior. It has been suggested that in employing a medieval album cover (drawn by Wilson McLean), using titles like "Medieval Overture" and "Duel of the Jester and the Tyrant," and occasionally playing in a baroque style, particularly in Clarke's "The Magician," Corea was responding to Rick Wakeman's successful string of albums on similar themes. Certainly, the music suggests that the musicians have been listening to Wakeman's band, Yes, among other progressive rock groups.
The most popular and successful lineup of Return to Forever – Chick Corea, Stanley Clarke, Lenny White, and Al Di Meola – was coming off the Grammy-winning No Mystery when it recorded its third and final album, Romantic Warrior. It has been suggested that in employing a medieval album cover (drawn by Wilson McLean), using titles like "Medieval Overture" and "Duel of the Jester and the Tyrant," and occasionally playing in a baroque style, particularly in Clarke's "The Magician," Corea was responding to Rick Wakeman's successful string of albums on similar themes…