ac dc Albert

Originally unveiled in December 1975, T.N.T. was the second AC/DC album released in their native Australia, but is often overlooked outside the Land Down Under because its best tracks were later combined with those from the band's first domestic album, High Voltage, for reissue as their international debut from 1976 – also entitled High Voltage…

Powerage was a first in the sense that it debuted bassist Cliff Williams, but it really is more of a final curtain to the band's early years. It would be the last produced by Vanda & Young, the legendary Australian production team who also helmed hits by the Easybeats, and it was the last before AC/DC became superstars…

There's a real sense of menace to "Dirty Deeds Done Dirt Cheap," the title song of AC/DC's third album. More than most of their songs to date, it captured the seething malevolence of Bon Scott, the sense that he reveled in doing bad things, encouraged by the maniacal riffs of Angus and Malcolm Young who provided him with their most brutish rock & roll yet…

Fly on the Wall is the tenth studio album by Australian hard rock band AC/DC, released on 28 June 1985 by Albert Productions, and Atlantic Records. It was the band's ninth internationally released studio album and the tenth to be released in Australia. The album was re-released in 2003 as part of the AC/DC Remasters series.

This is the collection from one of the world's greatest rock bands. It's here, for the first time 17 CDs bursting at the seams, in this one box of rock. From 'High Voltage' through to 'Stiff Upper Lip' (2000) with all the classic moments. This is truly a must for any fan!

Originally recorded for the Canadian television program In Session in 1983, this was a historic meeting of two artists that has been proven to be a very special moment This famed live jam session by Albert King and Stevie Ray Vaughan has proven to be an evening that will never be forgotten. "It was evident from the first choruses," writes liner notes author/musicologist Samuel Charters, "that they were playing for each other. And that was the best audience either of them could ever have. The music never lost its intensity, its quality of something very important being handed back and forth and there was time for Stevie and Albert to see where their ideas took them."