Accident

After experimenting with randomness and electronic transformation (see Empty Orchestras – 2014), Peter Orins returns this time with his only drum set, and some objects, bowls, wood, shells… As an improviser, he is interested in sound textures, the ambiguity of timbres and their production, the saturation of sounds or the harmonics specific to each instrument: make it possible to hear both the “microscopic” noises of skins or metals rubbed, struck, prepared, at very low power, and the acoustic pressures felt at high volume.