It was always going to be a dangerous mission. Trevor Churchill’s brainchild, THE GOLDEN AGE OF AMERICAN POP, had been in development for some time and the prototype was about to be launched into the fray with a bundle of seemingly undifferentiated repertoire. The potential embarrassment factor was high with risk of heavy flak on the way and snipers on the ground in the landing zone. Trevor was calling for volunteers. There was a lot of nervous shuffling among the ranks. Some of the lads took to studying their toecaps, while others took an inordinate interest in the state of their cuticles, or tried to look inconspicuous by melting into the background.
Previous entries in Ace's Black America Sings series have focused on Bob Dylan and the Beatles, but also Otis Redding – a singer/songwriter who shows up on Bring It on Home: Black America Sings Sam Cooke singing "Shake," a song that became more identified with Otis than Sam. This alone suggests how great Cooke's legacy is: he wove his way into the very fabric of pop culture, quite clearly influencing generations of soul and rock singers, but also shaping how R&B could cross over into pop, along with the parameters of how black musicians could set up their own independent enterprises in the music business.