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In the pre-Code Hollywood era, between 1929 and 1934, women in American cinema took lovers, had babies out of wedlock, got rid of cheating husbands, enjoyed their sexuality, led unapologetic careers, and, in general, acted the way many think women only acted after 1968.

An upper-crust artist hires a 'party girl' as a model; romance follows.

In 1936, the witty columnist Sheilah Graham leaves her noble British fiancé and travels in the Queen Mary from Southampton, England, to New York. She seeks out the editor of the North American Newspaper Alliance, John Wheeler, offering her services but he sends her to the Daily Mirror. Sheilah becomes successful and John offers a job in Hollywood to write a gossip column about the stars. When Sheilah meets the decadent writer F. Scott Fitzgerald, they immediately fall in love. Sheilah discovers that Scott accepts any job to financially support his wife Zelda that is in asylum, and his daughter at a boarding school. She opens her heart to him and tells the truth about her origins; but their relationship is affected by his drinking problem.

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Tony Richardson continued in the vein of kitchen-sink realism with this adaptation of Shelagh Delaney's novel of working-class life. Set in England in the early 1960s, A TASTE OF HONEY stars Rita Tushingham as the waifish Jo, a plain 17-year-old girl who is dragged from one shabby bed-sitter to another by Helen (Dora Bryan), her promiscuous, alcoholic termagant of a mother. When Helen and her current lover, Peter (Robert Stephens), take a holiday in Blackpool, Jo goes along and, while walking on the beach, meets Jimmy (Paul Danquah), a black sailor on leave. After they spend the night together Jimmy's ship leaves for points unknown. Helen and Peter have impulsively decided to marry, and they move into his flat, leaving Jo in the cold. She gets a job in a shoe store, where she meets gay and mild-mannered Geoffrey, and the two decide to move into a flat together. Jo soon discovers she's carrying Jimmy's child, news that depresses her. But Geoffrey couldn't be happier, and he begins knitting baby clothes, goes to a clinic for child-care instruction, and even offers to marry Jo. This moving film is exceptionally well acted and directed; it is a tribute to Richardson's boldness in taking on the theme of miscegenation, then a much more controversial issue.