Adelin Albert

Last November in London, Cat Power took the stage at Royal Albert Hall and delivered a song-for-song recreation of one of the most fabled and transformative live sets of all time. Held at the Manchester FreeTrade Hall in May 1966—but long known as the “Royal Albert Hall Concert” due to a mislabeled bootleg—the original performance saw Bob Dylan switching from acoustic to electric midway through the show, drawing ire from an audience of folk purists and forever altering the course of rock-and-roll. In her own rendition of that historic night, the artist otherwise known as Chan Marshall inhabited each song with equal parts conviction and grace and a palpable sense of protectiveness, ultimately transposing the anarchic tension of Dylan’s set with a warm and luminous joy. Now captured on the live album CatPower Sings Dylan: The 1966 Royal Albert Hall Concert, Marshall’s spellbinding performance both lovingly honors her hero’s imprint on history and brings a stunning new vitality to many of his most revered songs.

Washington may have been a journeyman at what he did, but he was at the very top of the journeyman class, and what he did – play a hybrid of blues and soul – is not as overmined a genre as many blues styles are. That means that if you like blues-soul crossover, you will almost certainly like this compilation of late-'60s and early-'70s sides, which represent the peak of Washington as a recording artist. Most of these were done for Fraternity from 1967-1970, and show him comfortable in deep gospel-like Southern soul grooves ("Doggin' Me Around"), quasi-Sam Cooke pop-soul ("A Woman Is a Funny Thing"), and party-tempo blues-soul hybrids that sometimes show a B.B. King influence. The material is more soul than blues; the blues bite is usually supplied by the sharp guitar licks (sometimes played by the great Lonnie Mack), the soul embellished by Washington's cheery, uplifting vocals. The exact tracks featuring Mack are not precisely identified, but his burning, slightly distorted tone is certainly on "Turn on the Bright Lights." Three of the 25 tracks were previously unissued, and in addition to the Fraternity material there are a couple of subsequent singles on Jewel from 1971 and 1973.

Live at the Royal Albert Hall is the second live album and video by British rock band Bring Me the Horizon. It was recorded on 22 April 2016 at the Royal Albert Hall, with accompaniment from the Parallax Orchestra conducted by Simon Dobson. The album was released on 2 December 2016 through the crowdfunding platform PledgeMusic, with all proceeds being donated to Teenage Cancer Trust.

2009 release that compiles two albums from the Blues great on one disc: King Albert (1977) and New Orleans Heat (1978). The king of modern electric soul-blues, Albert King joined Tomato Records in 1976 following his spell with the Stax label and this CD contains two of his very best releases from that era. The splendid King Albert marked an exciting return to form with a fine Motor City blues band that handles everything from B B King's big hit 'You Upset Me Baby' to Little Sonny Willis's exciting 'Love Shock' and a supremely soulful 'Good Time Charlie'. Released the following year, the very different Funk-tinged New Orleans Heat was overseen by legendary R&B producer Allen Toussaint at his Sea-Saint Studios. The cream of the Crescent City session musicians give the songs a real gumbo flavor