These instrumental performances by guitarist Lex Vandyke concentrate on guitar interpretations of Latin-American tunes and songs. The relationship between Latin America and the guitar is a long-standing and important one: the instrument came to Latin America with the Spanish conquerors and, when mixed with other musical elements notably those of African origin became crucial to many of the major styles of Latin music.
Rhino remastered and expanded Paul Simon's Warner catalog in 2004, boxing up the nine albums released between 1972 and 2000 as The Complete Studio Recordings. This archival work provides the foundation for Legacy's 2013 set The Complete Album Collection, which supplements these expanded reissues – a total of 30 bonus tracks were added to the nine albums, including demos, alternate takes, outtakes, non-LP material, and live cuts (but no original hit version of "Slip Sliding Away," an oversight that remains on this 2013 box) – with the two live albums released on Warner (1974's Paul Simon in Concert: Live Rhymin', 1991's Concert in the Park), the 1965 curiosity The Paul Simon Songbook that he recorded in the wake of the disappointing reception to Simon & Garfunkel's 1964 debut Wednesday Morning 3 AM and, most importantly, the two excellent albums Simon released after 2004: 2006's Surprise and 2011's So Beautiful or So What…
The Network Media Cooperative (Network Medien-Cooperative) was founded in October 1979 – by April 1990 we had already issued 19 titles, at the time as audio-cassettes with a comprehensive booklet in a small package that looked like a chocolate box. The covers and layouts were produced using Letraset on a light-table installed over a bath tub. Among those first records were the musical themes that were to preoccupy us for 30 years: an extensive document of the “Gypsies Music Festival”; meanwhile the music of the Roma has been documented on numerous Network CDs, including the anthology “Road of the Gypsies” (often copied but never achieving the same level). A double musíccasette packet was devoted to cult music from Haiti and the sounds and life philosophy of the Rastafarians in Jamaica. Recording trips were undertaken, among others, to Cuba, Trinidad, St. Lucia, and Curacao, but also to Latin America, Brazil, Argentina, Ecuador, Venezuela, Colombia, Belize. We also approached the music worlds of Africa in our portrait of the South African pianist and vocalist Dollar Brand (today Abdullah Ibrahim) and in the first studio recordings of Soukous music. These were followed by trips to Liberia, Senegal, Mali, Tanzania, Zanzibar.
Two classic easy-listening albums by Paul Mauriat and His Orchestra, originally released in 1984 and 1983 on the Philips label, together on one CD and remastered from the original analogue stereo tapes for Vocalion's trademark crystal-clear sound. French composer/conductor Paul Mauriat is a classically trained musician who decided to pursue a career in popular music. His first major success came in 1962, as a co-writer of the European hit "Chariot." In 1963, the song was given English lyrics, renamed "I Will Follow Him," and became a number one American hit for Little Peggy March. Mauriat is best remembered for his 1968 worldwide smash "Love Is Blue."
Compiled here are many of the greatest performances of world and ethnic music ever recorded. This volume represents a trip around the world, stopping at each port to sample one of that country’s finest recordings of its indigenous music. Each of these recordings was captured at a period during the golden age of recording when traditional styles were at their peak of power and emotion. Included inside are extensive notes a beautiful period photographs that work together with the music to communicate an exciting sense of discovery.