Admixture

Three albums in the novelty has worn off, but Dengue Fever has smartly chosen to keep evolving. While that means their unquestionably unique offering no longer startles, it's no less riveting – Venus on Earth is at once the band's most accessible and most varied release. A recap: when first heard from in 2003 on their self-titled debut, Dengue Fever was like no other band, a bunch of L.A. hipsters fronted by a Cambodian-born woman, Chhom Nimol, who paid homage to that Asian nation's pre-Pol Pot cheesy psychedelic-cum-lounge-surf-garage pop sound of the '60s/early '70s, music obscure enough that only a tiny handful of Americans could honestly claim to have known the first thing about it – certainly, the source material spun outside of the orbit of the so-called core world music audience.