Soundway Records present Kenya Special: Selected East African Recordings from the 1970s & ‘80s - a treasure-trove of rare and unusual recordings from East Africa. Spread out over two CDs and one triple LP, Kenya Special is accompanied by detailed liner notes, original artwork and photographs.It follows on from Soundway’s much acclaimed African ‘Special’ series that to date has focused on the highlife and afrobeat output from 1970s Nigeria and Ghana.
Undoubtedly the most versatile of all instruments, the guitar’s unrivalled cross-cultural popularity has made it synonymous with musical genres far and wide. From Congolese soukous to Calcutta slide guitar, this collection features kindred creative spirits who have harnessed its limitless expressive potential.
African High Life is the debut album by Nigerian drummer and percussionist Solomon Ilori recorded in 1963 and released on the Blue Note label. The album was reissued on CD in 2006 with three bonus tracks recorded at a later session. It seems strange that Blue Note, a label generally associated with bop, hard bop, and the early avant-garde, would have released an album like African High Life. It didn't really fit in with Blue Note's back catalog and – perhaps as a result – the label didn't tread these waters again for a number of years. Regardless, this is a very enjoyable if not essential album of traditional African highlife music set to dance tempos.
This two-fer combines a pair of trumpeter Blue Mitchell's late-career albums for the Impulse! label: 1977's African Violet and Summer Soft. A consummate hard bopper, Mitchell experimented with soul- and funk-jazz as the '70s wore on and these albums are no exception. Funky but lyrical, muscular yet still swinging with a modern jazz intensity, these albums feature Mitchell playing against small as well as large ensembles, including orchestral strings on African Violet. Reflecting the somewhat commercial approach to many jazz productions of the time with electric guitars and synthesizers in the mix, they are nonetheless worthy, hard to find recordings and it's great to have them together on one disc.
Trilok Gurtu's evolution from mere percussion wizard to innovative composer of global jazz fusion takes a quantum leap forward on this remarkable collection of African, Indian, American, and Asian music. Keeping his drum and tabla polyrhythms within the ensemble framework, save for some explosive solos on "Old African" and "Dinki Puriya," the Indian maestro focuses on making new sonic textures from cross-pollination. For example, "DJ Didgeridoo" blends the tones of the title instrument with Ravi Chary's sitar and soaring vocals from Zap Mama's Sabine Kabongo. "Big Brother" is an orchestral marvel of Indian and American strings and synthesizers topped by the magnificent voice of Mali's Oumou Sangare. Gurtu also reprises the song "You, Remember This" with his mother, the legendary singer Shobha Gurtu, and he teams up with vocalist Angelique Kidjo on two of the less adventurous tracks. The band, especially bassist Kai Eckhardt, provides robust, empathic support throughout.