After Battle 141

The Battle Rages On… is the fourteenth studio album by the British hard rock band Deep Purple, released in 1993. It is the last album recorded with the band's classic Mk II line-up, which reunited for a second time (the first reunion being for 1984's Perfect Strangers). Even though Mike DiMeo was initially chosen as the singer for the album after Joe Lynn Turner was fired, Ian Gillan eventually returned to the band in late 1992 and had to rework much of the material already existing for it, which had been intended for Joe Lynn Turner and DiMeo. After his firing, Turner would admit Ritchie Blackmore referred to the album as "The cattle grazes on".

Liszt was the only contemporary whose music Richard Wagner gratefully acknowledged as an influence upon his own. His lasting fame was an alchemy of extraordinary digital ability – the greatest in the history of keyboard playing – an unmatched instinct for showmanship, and one of the most progressive musical imaginations of his time. Hailed by some as a visionary, reviled by others as a symbol of empty Romantic excess, Franz Liszt wrote his name across music history in a truly inimitable manner. From his youth, Liszt demonstrated a natural facility at the keyboard that placed him among the top performing prodigies of his day. Though contemporary accounts describe his improvisational skill as dazzling, his talent as a composer emerged only in his adulthood.

No figure in 20th century American classical music had as prominent or controversial a career – or did more to sell classical music to the general public as something genuinely exciting, and worth getting into a sweat over – than Leonard Bernstein. For more than 30 years, from his assumption of the post of Music Director of the New York Philharmonic in 1958 until the final concerts that he conducted in obviously failing health near the end of his life in 1990, he was the most prominent and widely recognized American-born conductor in the world, and the dominant personality in American classical music as both a conductor and, to a lesser degree, a composer. A flamboyant public figure, he burst three different times on the musical world – twice in classical with a rush of success on Broadway in between – in a blaze of glory, in the space of 15 years; and over a career lasting from the early '40s until the beginning of the '90s, he never lost an opportunity to advance his reputation as well as the cause of music.

A Bristol collective whose combination of dark rhythms, reverb-laden guitars, and atmospheric samples helped pioneer the laid-back sound of trip-hop. Collection includes five studio albums: 'Blue Lines' (1991); 'Protection' (1994); 'Mezzanine' (1998); '100th Window' (2003); 'Heligoland' (2010).

Emanuel Lasker's most instructive games of Chess 1889-1899 - The Longest reigning World Chess Champion for 27 years