Against The Wind

Folksinger and composer Jaime Brockett's debut album, Remember the Wind and the Rain (1971), easily demonstrates why readers of Broadside magazine heralded him as Boston, MA's top male performer circa 1968. Brockett's emotive side is revealed on the title track, "Blue Chip," and the hauntingly beautiful "Nowadays," juxtaposed against the anti-authoritarian hippie anthems "Talkin' Green Beret New Super Yellow Hydraulic Banana Teeny Bopper Blues" and the nearly quarter-hour "Legend of the U.S.S Titanic." Even though the latter sounds like an amphetamine-fueled rave, it includes a coded message and some sage advice: if one has the need to partake of recreational combustibles, it should be done "in the privacy of your own home.

The Distance was hailed as a return to form upon the time of its release and, in many ways, might be a little stronger, a little more consistent than its predecessor, Against the Wind. Still, this album has the slickest production Bob Seger had yet granted, and the biggest hit single on The Distance wasn't written by him, it was a cover of Rodney Crowell's "Shame on the Moon."…

The Distance was hailed as a return to form upon the time of its release and, in many ways, might be a little stronger, a little more consistent than its predecessor, Against the Wind. Still, this album has the slickest production Bob Seger had yet granted, and the biggest hit single on The Distance wasn't written by him, it was a cover of Rodney Crowell's "Shame on the Moon."…

The Distance was hailed as a return to form upon the time of its release and, in many ways, might be a little stronger, a little more consistent than its predecessor, Against the Wind. Still, this album has the slickest production Bob Seger had yet granted, and the biggest hit single on The Distance wasn't written by him, it was a cover of Rodney Crowell's "Shame on the Moon." Now, this wasn't entirely unusual, since Seger had been an excellent interpreter of songs for years, but this, combined with the glossy sound, signaled that Seger may have been more concerned with his status as a popular, blue-collar rocker than his music…