The young violinist Alina Ibragimova is already established as an admired recording artist, standing alongside great artists of the past and present with her versions of Bach and Beethoven’s violin works. She appears on this latest release with the Orchestra of the Age of Enlightenment and Vladimir Jurowski (in his Hyperion premiere) in a programme which includes a classic of the concerto repertoire: Mendelssohn’s Violin Concerto in E minor, Op 64.
Chandos’ featured release is a new recording of the first English operatic masterpiece, Purcell’s tragedy Dido and Aeneas. Starring Sarah Connolly, Gerald Finley, with the Orchestra and Choir of the Age of Enlightenment, it is released to commemorate the 350th anniversary of Purcell’s birth.
The solo boy soprano album has a kind of intensity, born of knowing that the sound will soon end, that attracts some and puts others off, but Norwegian treble Aksel Rykkvin, with flawless schoolboy good looks, has become something of a sensation with this album of Baroque and Classical arias. His voice has a rather metallic quality, and you might think that forcing it into these big arias would be an unnatural thing. Yet in fact some of these pieces, including the tough arias from Handel's Alcina, were originally written for a boy soprano, and Bach's church music made use of them as well. Rykkvin handles the acrobatics quite well.