Avid Jazz continues with its Four Classic Album series with a re-mastered 2CD second set release from Ahmad Jamal, complete with original artwork, liner notes and personnel details.
“Chamber Music Of The New Jazz”; “Ahmad Jamal Trio”; “Count ‘Em 88” and “Listen To The Ahmad Jamal Quintet”.
Born in Pittsburgh in 1930 Ahmad Jamal started playing piano at 3 years old and turned professional at 14! His early influences include Earl Hines, Erroll Garner and Mary Lou Williams and he had the distinction of being spotted as a “coming great” by none other than Art Tatum. He discovered Islam in his 20s and in 1950 Fred Jones became Ahmad Jamal as he took the Muslim faith…
This release compiles all of the originally issued recordings made by the classic Ahmad Jamal Trio with Israel Crosby and Vernel Fournier between 1958 and 1962 (Crosby died on August 11, 1962 at the age of 43). Included here are the legendary club performances taped in 1958 at the Pershing Lounge, in Chicago, as well as the subsequent sets recorded at the Spotlight, the Alhambra and the Blackhawk, plus various other sessions. This was the music that made Jamal famous. As a bonus, nine earlier versions of tunes from our set recorded by different formations of the Jamal trio.
Miles once said, "All my inspiration today comes from Ahmad Jamal." These recordings are the reason why. The mid fifties was a fertile time for jazz; fresh, original ensembles were taking shape all over the country. The Modern Jazz Quartet, the Dave Brubeck Quartet, The Jazz Messengers and the Ahmad Jamal Trio immediately come to mind. Among musicians, each group had its imitators and its creative disciples who took its innovations one step further.
In this magnificent collection presented melodies performed by these masters of jazz piano: Scott Joplin, James P. Johnson, Eubie Blake, Mandy Randolph, Duke Ellington, Art Tatum, Joe Sullivan, Teddy Wilson, Count Basie, Oscar Peterson, Thelonious Monk, Nat King Cole and many, many others …
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
Calvin, best known for his work with Ray Charles and Aahmad Jamal, returns with his first solo album in seven years. On 'Electric Keys' Calvin adeptly navigates straight ahead, Funk, and Blues, all the while maintaining the quintessential Calvin touch for which he is well-respected. Soul jazz is alive and well. With a sound that updates Wes Montgomery‘s fluid lines and combines that style with a head-nodding groove that will be familiar to fans of boogaloo revivalists such as The New Mastersounds and Soulive, Keys is in fact the real deal. Having cut his teeth as an able sideman to the likes of Ahmad Jamal and Jimmy Smith, Keys’ career releasing albums under his own name only began in earnest relatively recently; though 1997’s Standard Keys was his fifth album, the previous four were released across a span of some sixteen years.
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
Milton Milt Buckner (1915-1977), was an original and dynamic pianist, organist and arranger. He joined Lionel Hamptons orchestra in 1941 and became, not only one of its main attractions and arrangers, but also the first musician to use a piano technique called block chords / locked-hands. In 1952 he formed an excellent trio in which, besides using the piano, he also used a Hammond organ, and was one of the pioneers in the field of rhythm and blues. His powerful interpretations, always full of extraordinary swing, his fruitful imagination, and his tasty sense of humour, made him one of the greatest organists in jazz. These two CDs assemble, for the first time, all the tracks Milt Buckner recorded under his own name and released with Capitol between 1955 and 1957.