Latin music has been a strong influence on Al Di Meola since his early years, and in the '90s, he paid especially close attention to the music of Argentina. A welcome addition to his already impressive catalog, Di Meola Plays Piazzolla pays homage to the late Argentine tango master Astor Piazzolla (whose distinctive and very poetic brand of romanticism was considered quite daring and radical in Argentina). It would have been easy for an artist to allow his own personality to become obscured when saluting Piazzolla's legacy, but the charismatic Di Meola is too great an improviser to let that happen. Though his reverence for Piazzolla comes through loud and clear on these haunting classics, there's no mistaking the fact that this is very much an Al Di Meola project.
Too some, Al di Meola is best known for is shredding guitar work as part of Return to Forever, and also his early solo albums. But di Meola has always had an interest in flamenco styled acoustic playing ("Mediterranean Sundance" off of Elegant Gypsy, anyone?) — which is the six-string style that he fully embraces on his 2007……
Following up the superb Elegant Gypsy was no mean feat, but Al di Meola gave it his best shot with the similarly styled Casino, released in 1978. Featuring a core band of Steve Gadd, Anthony Jackson, and Barry Miles (whom di Meola came up with before the guitarist was invited to join Return to Forever), the playing is sharp and fiery, matching the youthful intensity of the leader. Di Meola is a good composer in the fusion idiom, and the four original compositions on Casino, although clearly bearing the mark of Chick Corea's influence, are strong. His "Fantasia Suite for Two Guitars," featuring di Meola accompanying himself via multi-tracking, is beautiful and dramatic, and hints at the guitarist's later all-acoustic works such as Friday Night in San Francisco.
A pair of early 80s fusion sets from Al Di Meola – 1980's Splendido Hotel and '82's Electric Rendezvous – in a single package! Splendido Hotel is one of the most stylistically sprawling fusion efforts we can think of – with a vibe that stretches from spacey atmosherics, to muscular riffing, to Latin and Middle Eastern influences – and that's just the in the opening track! The personnel is pretty amazing – with Eddie Colon, Jan Hammer, Les Paul and Chick Corea contribution. Includes "Alien Chase On Arabian Desert", "Silent Story In Her Eyes", "Two To Tango", "I Can Tell", "Spanish Eyes", "Bianca's Midnight Lullaby" and more. Electric Rendevous is another wildly eclectic and far reaching fusion groover from guitarist Di Meola – with a number of players from the Slendido Hotel set, including Jan Hammer, Philippe Saisse, Steve Gadd and Anthony Jackson. Titles include "God Bird Change", "Electric Rendezvous", "Cruisin'", "Ritmo De La Noche", "Jewel Inside A Dream".
Following the much ballyhooed Return To Forever reunion tour of 2008, guitarist Al Di Meola began refocusing his energies on his World Sinfonia band. Live in Seattle and Elsewhere documented his tightly-knit chemistry in concert on a 2009 tour with his acoustic ensemble of accordionist Fausto Beccalossi, second guitarist Kevin Seddiki, bassist Victor Miranda, drummer Peter Kazsas and Di Meola's longtime collaborator Gumbi Ortiz on cajon and assorted hand percussion. Di Meola's rhythmically-charged flamenco and tango inspired originals revealed his knack for advanced harmonies along with his embracing of simple, beautiful, alluring melodies. And although he may be a romantic at heart, he showed that he is still very much capable of flashing those legendary chops that graced his `70s classics like Elegant Gypsy and Casino.
Al Di Meola (nee Al Dimeola) certainly has come along way from his native New Jersey to the stage of the Mawazine Festival in Rabat, Morocco, where this DVD was filmed on May 20, 2009. But there’s no need to question why. In modern jazz circles, Di Meola is among the most respected guitarists in the world, with lightening speed fingers playing in scale style.