al Dimeola

Guitarist Al DiMeola's second record as a leader is generally an explosive affair, although it does have a fair amount of variety. With Jan Hammer or Barry Miles on keyboards, electric bassist Anthony Jackson, drummer Lenny White (Steve Gadd takes his place on the "Elegant Gypsy Suite" ), and percussionist Mingo Lewis on most of the selections, DiMeola shows off his speedy and rockish fusion style. He was still a member of Return to Forever at the time and was a stronger guitarist than composer, but DiMeola did put a lot of thought into this music. The brief "Lady of Rome, Sister of Brazil" (an acoustic guitar solo) and "Mediterranean Sundance" (an acoustic duet with fellow guitarist Paco de Lucia) hints at DiMeola's future directions. A near classic in the fusion vein.

Jazz guitarist Al DiMeola gives new meaning to the phrase world music by working with Ukrainian bandura player Roman Hrynkiv. Here DiMeola explores a special collection of instrumental seasonal works, underscoring them with layered percussion. A number of captivating originals and intricately arranged standards surface here, including "Carol of the Bells, "Ave Maria," and "The First Noel." DiMeola certainly titled the album right: these seasonal songs readily capture the penetrating chill and peacefulness of a star-laden winter sky. Recommended.

Martin Keller, Amazon.com

In 2008 the world famous guitarist, Al DiMeola and the virtuoso Hungarian flute player, Eszter Horgas played together in Hungary to perform the remake of Bizet's "Carmen." The concert was recorded and leadto a remarkable album called "He & Carmen." The music combines classical, Latin and jazz elements to create a unique, atmospheric and passionate concert. The guitar and the flute, two very exciting instruments make a beautiful pair. The variety of the musicians, the American Al DiMeola, the Cuban Gumbi Ortiz, the Italian Peo Alfonsi, the Hungarian Eszter Horgas and the others made the performance even more original, bringing their own culture, adding their own personality to create a truly unique album.

Having grown a bit weary of playing loud fusion, Al DiMeola recorded a largely acoustic set on his debut for Manhattan. DiMeola, who augments his acoustic guitar with the orchestral Synclavier guitar, plays five unaccompanied solos and is joined on the other four numbers by percussionist Airto Moreira. Other than Keith Jarrett's "Coral," all of the moody selections are by the guitarist.

Two years after they recorded Friday Night in San Francisco, John McLaughlin, Al di Meola and Paco de Lucía reunited for another set of acoustic guitar trios, Passion, Grace and Fire, If this can be considered a guitar "battle" (some of the playing is ferocious and these speed demons do not let up too often), then the result is a three-way tie. This guitar summit lives up to its title.