Welcome to the debut of our brand new ‘Masterclass’ series, and who better to usher us in than the incredible Al Joseph! Al says ‘In this tutorial I'm going to answer a lot of the questions I've been getting over the last couple of years: ‘How do I write solos?’, ‘How do I come up with melodies?’,’What facilities on the guitar do I use when it comes to phrasing?’, ‘What am I looking at when it comes to visualising all these patterns and things on the fretboard?. I'm going to explain all this to you.
Forty Hours' Devotion, called Quarant' Ore or written in one word Quarantore, is a Roman Catholic exercise of devotion in which continuous prayer is made for forty hours before the Blessed Sacrament exposed. It commonly occurs in a succession of churches, with one finishing prayers at the same time as the next takes it up.wiki
Robert Schumann considered Peter Joseph von Lindpaintner the most promising operatic composer in the country, yet despite his 21 operas he has been almost forgotten. Like most leading German composers of his time he took Meyerbeer’s historical grand operas, conceived in Paris, as his model. Set in Sicily at the dawn of the 1848 revolution, Il vespro siciliano (‘Die sizilianische Vesper’ / ‘The Sicilian Vespers’) is a dramatic four-act opera that reveals why he was held in such esteem by Schumann, Spohr and Mendelssohn: expressive harmonies, folksong-like strophic songs, rich orchestration, the use of the latest stylistic devices, and tuneful bel canto melodies that point to the work’s Franco-Italian lineage.
A compilation of important recordings by clarinettist Fud Livingston, a neglected jazzman of the 1920s and 1930s who recorded with Bix Beiderbecke, Red Nichols, Ben Pollack, Jimmy Dorsey and other luminaries. Extensive liner notes by Brad Kay tell the tragic but, at the same time, joyful story of Fud's life and music. Includes a previously-unreleased recording by Ben Pollack from 1924.
Cet enregistrement, comme les mémorables Fées du Rhin d'Offenbach, chef-d'oeuvre de l'édition 2002 où Friedemann Layer était déjà au pupitre, fait partie de la série consacrée aux oeuvres "redécouvertes", si l'on peut dire, par René Koering à travers le Festival de Radio France-Montpellier dont on saluera au passage la programmation courageuse et originale.
A surprising fact from the musicological realm is that Haydn wrote about the same number of operas as Mozart–though it's true that some of them were written for the marionette theater at Esterhaza, rather than the opera house. In other words, old "Gius[eppe] Haydn"–as the title page of this opera refers to him–was a master. Better known to some by its alternate title, L'anima del filosofo, Haydn's Orfeo ed Euridice was written in 1791 for the King's Theater, Haymarket, during the composer's first English sojourn, but went unperformed there or anywhere else until 1950. The libretto, by Carlo Francesco Badini, is based on Ovid's Metamorphoses, with its decidedly unhappy ending to the story (Euridice dies a second time, Orpheus is poisoned, and the Bacchantes perish in a storm).